Anagram & Information om | Engelska ordet AMOROSA

Exempel på hur man kan använda AMOROSA i en mening

• In addition to writing about Islam and National Socialism, Myatt has translated works by Sophocles, Sappho,Gary Daher Canedo: Safo y Catulo: poesía amorosa de la antigüedad, Universidad Nur, 2005.
• It was the basis for Hugo Wolf's opera Der Corregidor (1897); for Riccardo Zandonai's opera La farsa amorosa (1933); and Manuel de Falla's ballet The Three-Cornered Hat (1919).
• Of them they emphasise Todos a la piscina (1991), Trilogía amorosa (1993), the classic Who's Afraid of Virginia Woolf? (1995), with Rogelio Guerra and Juan Ignacio Aranda, directed by Enrique Rentería; La casa de Bernarda Alba (2002), by Federico García Lorca, along with the actresses Ofelia Guilmáin, Maria Rubio and Aurora Molina; Hombres (2005), with Patricia Reyes Spíndola, María Rojo and others; Orinoco (2007), directed by Benjamín Cann, along Cynthia Klitbo; El acrobata (2008), directed by Roberto D'Amico and next to Ricardo Fastlicht; Macbeth (2008), directed by Leonardo Ayala, with Mónica Dionne; Doce mujeres en pugna (2009), produced by Jorge Ortiz de Pinedo, along with Yolanda Mérida, Laura Zapata, Leticia Calderón and others; La ronda de las harpías (2009), with Ofelia Medina, Victoria Ruffo and Magda Guzmán; Tu tampoco eres normal (2011), directed by Humberto Zurita, next to Alexis Ayala; Baño de mujeres (2013), under the direction of Roberto D'Amico, with Sylvia Pasquel, Ofelia Medina and others, and Made in Mexico (2015), with Juan Ferrara, Rafael Inclán and Socorro Bonilla.
• The 1621 collection Musiche a doi voci is probably the most famous example: it not only contains some of the earliest examples of the dramatic dialogue, but also features entire passages in 5/4 time (Con guardo altero) and consecutive bars of 9/8 and 7/8 (Vanne, o cara amorosa).
• She sang in the first performances of Alfano's L'ultimo Lord, Mascagni's Pinotta, Zandonai's Farsa amorosa, and Wolf-Ferrari's Il campiello, including his operatic adaptation of de Vega's play La dama Boba.
• “Margo Glantz: De la amorosa inclinación de enredarse en la literatura”, in Rogelio Arenas Monreal y Gabriela Olivares Torres, La voz a ti debida.
• In 1931, De Paolis created the role of Monsieur Le Beau in Ermanno Wolf-Ferrari's opera La vedova scaltra; in 1933 that of Frulla in Riccardo Zandonai's opera La farsa amorosa; and in 1936 and that of Christian in Franco Alfano's Cyrano de Bergerac.

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