Definition, Betydelse & Anagram | Engelska ordet ANIMACY


ANIMACY

Definition av ANIMACY

  1. (lingvistik) animacitet

1

Antal bokstäver

7

Är palindrom

Nej

14
AC
AN
ANI
CY
IM
IMA

1

1

241
AA
AAC
AAI
AAM
AAN


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Exempel på hur man kan använda ANIMACY i en mening

  • A noun may belong to a given class because of the characteristic features of its referent, such as gender, animacy, shape, but such designations are often clearly conventional.
  • Animacy (antonym: inanimacy) is a grammatical and semantic feature, existing in some languages, expressing how sentient or alive the referent of a noun is.
  • However, these solidly placed elements of verbs are paired with markers that can appear throughout the word, depending again on emphasis; animacy in particular can appear fluidly throughout verbs.
  • All nouns are split into two categories and are inflected for animacy and are classified as either animate or inanimate.
  • Symbolic representations also appear in phonetic transcription, descriptions of phonological processes, trochees, phonemes, morphophonemes, natural classes, semantic features such as animacy and the qualia structures of Generative Lexicon Theory.
  • In sentences with an explicit noun phrase, separate from the verb, the verb agrees with the noun in terms of animacy, number, and whether the noun is proximate or obviative.
  • The definition of a direct–inverse language is a matter under research, but it is widely understood to involve different grammar for transitive predications according to the relative positions of their "subject" and their "object" on a person hierarchy, which, in turn, is some combination of saliency and animacy specific to a given language.
  • There is also agreement that a widespread demonstrative pattern of n = masculine and plural, t= feminine goes back to PAA, as well as about the existence of an interrogative pronoun *mV, which may not have distinguished animacy.
  • The third situation is when the subject and object are of equal animacy but the object outranks the subject in topicality.
  • Gendered nominals are clearly reflected in anaphors and relative pronouns because even if there is no explicit inflection upon the nouns they inherit animacy, gender and number from their antecedent.
  • Like Torwali, Sawi has grammaticalised the category of animacy in its nominal morphology (in contrast to Kalasha, Khowar, Shumashti and Pashai, where animacy has instead been grammaticalised in the verbal morphology).
  • In linguistic morphology, inflection (less commonly, inflexion) is a process of word formation in which a word is modified to express different grammatical categories such as tense, case, voice, aspect, person, number, gender, mood, animacy, and definiteness.
  • AOV word order disambiguates the A and O arguments when their animacy is equivalent and which argument is which is not otherwise inferrable from context.
  • Additionally, the presence or absence of a postmodifier behind the possessor noun depends on the level of animacy, consequently highly animate possessors (such as animals and humans) allow the directly possessed noun to follow with or without intervening postmodifiers.
  • From typological studies, it has been observed that the main parameters that can influence DOM are the traits of animacy, definiteness and topicality.


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