Definition, Betydelse & Anagram | Engelska ordet ATONAL

Definition av ATONAL

1. (musik) atonal

Exempel på hur man kan använda ATONAL i en mening

• Black Flag's sound mixed the raw simplicity of the Ramones with atonal guitar solos and frequent tempo shifts.
• His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco-Flemish School of his studies under Guido Adler.
• Black Flag's sound mixed the raw simplicity of the Ramones with atonal guitar solos and, in later years, frequent tempo shifts.
• The album starts with a scathing, nearly atonal electric guitar solo and never lets up (until the final, more subdued studio bonus track "Burnie"), careening through a hooky hard-rock minefield of clever, socially conscious lyrics sung with passion over a rip-roaring but very tight band.
• He has a distinct sound that mixes romanticism, impressionism and atonal music with complex orchestration.
• The composer Arnold Schönberg set a German-language version (translated by Otto Erich Hartleben) of selections from his Pierrot Lunaire to innovative atonal music.
• The instrumental pieces are sparse and experiment with echo, with "restless" passages that music critic Andre Salles has described as "consistently inventive atonal plonking that never sits still".
• Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal,.
• The dynamic extremes in Szymanowski's music lessened, and the composer started to employ coloristic orchestration and use polytonal and atonal material while preserving the expressive melodic style of his previous works.
• The music became even more spare and angular, with Wright's bass lines creating a sometimes menacing sound to support Lindsay's scraping, atonal guitar and Mori's irregular rhythms.
• As an undergraduate at Yale University Yeston majored in music theory and composition, writing an atonal sonata for piano, incidental music for a production of Brecht’s Life of Galileo, and a cello concerto that won Yale's Friends of Music Prize, and minored in philosophy and literature, particularly French, German, Italian and Japanese.
• Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, drawing on the twelve-tone theory of Milton Babbitt.
• Nevertheless, he remained skeptical of the attempts of his Greek contemporaries to integrate folk music into the modern symphonic style, and only juxtaposed and mixed folk, atonal and 12-note styles in a few works such as the incidental music to Christos Evelpides's 1943 fairy-tale drama Mayday Spell.
• A dissonant pedal point may go against all harmonies present during its duration, being almost more like an added tone than a nonchord tone, or pedal points may serve as atonal pitch centers.
• Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones.
• Their concerts usually involve extended improvisations, which may be both arrhythmic and atonal, an aspect of their musicianship that is rarely documented in the studio.
• Either way, at any one time it may incorporate chanting and punchy drums, dancey polyrhythms atonal composition or psychedelia.
• Some of Dutilleux's trademarks include very refined orchestral textures; complex rhythms; a preference for atonality and modality over tonality; the use of pedal points that serve as atonal pitch centers; and "reverse variation", whereby a theme is revealed gradually, appearing in its complete form only after a few partial, tentative expositions.
• Cyclic tonal progressions in the works of Romantic composers such as Gustav Mahler and Richard Wagner form a link with the cyclic pitch successions in the atonal music of Modernists such as Béla Bartók, Alexander Scriabin, Edgard Varèse, and the Second Viennese School (Arnold Schoenberg, Alban Berg, and Anton Webern).
• Soon afterwards, Yoshimatsu became disenchanted with atonal music, and began to compose in a free neo-romantic style with strong influences from jazz, rock and Japanese classical music, underscoring his reputation with his 1985 guitar concerto.

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