Anagram & Information om | Engelska ordet AULIS

Exempel på hur du använder AULIS i en mening

• It premiered posthumously at the Theatre of Dionysus in 405 BC as part of a tetralogy that also included Iphigeneia at Aulis and Alcmaeon in Corinth, and which Euripides' son or nephew is assumed to have directed.
• In Jean Racine's 1674 retelling of Iphigenia at Aulis, she is an orphan whose real name turns out to be Iphigenia as well; despite her many misdeeds, she rescues Iphigenia the daughter of Agamemnon.
• She retaliates by preventing the Greek troops from reaching Troy unless Agamemnon kills his eldest daughter, Iphigenia, at Aulis as a human sacrifice.
• Set prior to the commencement of the Trojan War, "Iphigenia at Aulis" revolves around the strong resistance by Clytemnestra to the decision of her husband, Agamemnon, the leader of the Greek coalition before and during the Trojan War, to ritually sacrifice and kill his daughter, Iphigenia, to appease the goddess Artemis.
• Euripides: Orestes and other plays (The Children of Heracles, Andromache, The Suppliant Women, The Phoenician Women, Orestes, Iphigenia in Aulis) (1972).
• In a wider sense, interpretivism includes even the theses of, in chronological order, Josef Esser, Theodor Viehweg, Chaïm Perelman, Wolfgang Fikentscher, António Castanheira Neves, Friedrich Müller, Aulis Aarnio, and Robert Alexy.
• The Songs of Kings was a novel published in 2002 by Barry Unsworth that retells the story of Iphigenia at Aulis told by the Greek tragic poet Euripides.
• Euripides (in Iphigeneia at Aulis) identifies the Echinades with the islands of Taphos (Taphiae Insulae).
• Iphigeneia had been transferred to Tauris by goddess Artemis herself, when she saved her from the sacrifice in Aulis.
• Many of Reima Pietilä's theoretical writings were published in the journal Le Carré Bleu, a journal he jointly founded in Helsinki in 1958, together with fellow Finnish architects Aulis Blomstedt and Keijo Petäjä, Finnish architecture historian Kyösti Ålander, and French architect André Schimmerling, whom together formed the CIAM Helsinki group, the Finnish group associated with CIAM (Congrès Internationaux d'Architecture Moderne).
• Euripides: Alcestis, Medea, Heracleidae, Hippolytus, Andromache, Hecuba, The Suppliants, Electra, Heracles, Trojan Women, Iphigeneia in Tauris, Ion, Helen, Phoenician Women, Orestes, Bacchae, Iphigeneia at Aulis, Cyclops, Rhesus.
• Iunker’s Ifigeneia has sprung from Euripede’s tragedy Iphigeneia in Aulis based on the myth of Agamemnon, leader of the Greek forces in Troy who makes the agonising choice of sacrificing his daughter to win favourable winds for his ships sailing against Troy.
• She and her two sisters, Thelxionoea and Aulis, were regarded as supernatural beings who watched over oaths and saw that they were not taken rashly or thoughtlessly.
• Towards the end of Description of Greece, Pausanias touches on the fruits of nature and products, such as the date palms of ancient Aulis, the wild strawberries at Mount Helicon, the olive oil in Tithorea, as well as the "white blackbirds" of Mount Kyllini (Cyllene) and the tortoises of Arcadia.
• Among her best known performances were Galatea in Acis och Galathea by Händel with Carl Stenborg (1773), Eurydice in Orfeus and Eurydice by Glück with Stenborg, Iphigenia in Iphigenia on Tauris by Gluck and the title characters in Athalie by Jean Racine, Silvie by Berton and Trial with Stenborg (season 1773–74), Aline, drottning av Golconda by Uttini with Stenborg (1775–76), and Procris och Cephal by Gretry with Stenborg (1777–78), Clytemnestra in Iphigenie in Aulis by Glück with Stenborg (1778–79) and Zulma in Cora och Alonzo by Naumann (1782–83).
• Three Tragedies by Renaissance Women, an edition of Iphigeneia at Aulis, by Lady Jane Lumley, The Tragedie of Antonie, by Lady Mary Sidney, The Tragedy of Mariam, by Elizabeth Cary, Viscountess Falkland (Penguin, 1998).
• He has directed three plays in London; Iphigenia at Aulis by Euripides and Red Lanterns by Alecos Galanos, both adapted and produced by Costas Charalambos Costa as well as Cocteau's Les Parents terribles directed by Sir Timothy himself and designed by Tracey Emin.
• At dawn in the Greek camp at Aulis, where the Greek fleets are moored in wait for a campaign against Troy, Agamemnon entrusts his servant Arcas with a message to prevent the visit of his wife Clytemnestre and daughter Iphigénie, summoned by him supposedly for Iphigénie's marriage to Achille but in truth for her sacrifice to the goddess Diana: the oracle has pronounced that only after the sacrifice of Iphigénie will the gods unleash the becalmed winds needed to carry the Greek ships to Troy.
• Rowan's work in theatre includes: A Dream Play, Iphigeneia at Aulis, Mourning Becomes Electra, Three Sisters, The Talking Cure and Private Lives at the National Theatre, London; The Two Gentlemen of Verona, The Merchant of Venice and Talk of the City for the RSC; A Voyage Round My Father and Lobby Hero at the Donmar Warehouse, London; Playhouse Creatures at the Old Vic, London; Way to Heaven and Forty Winks at the Royal Court Theatre, London; The Importance of Being Earnest at The Oxford Playhouse; Sexual Perversity in Chicago at the Crucible Theatre, Sheffield; The Rivals, Charley's Aunt and Look Back in Anger at the Royal Exchange, Manchester; A Collier's Friday Night at Hampstead Theatre, London; Wit's End at the New End Theatre, London, and Happy Now?, a new play by Lucinda Coxon at the National Theatre, London.
• 1951 - Gluck - Iphigenie in Aulis - Martha Musial, Helmut Krebs, Johanna Blatter, Dietrich Fischer-Dieskau, Josef Greindl - RIAS Kammerchor und Sinfonieorchester, Artur Rother - Gala (sung in German).

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