Anagram & Information om | Engelska ordet BARDIC

Exempel på hur man kan använda BARDIC i en mening

• With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one).
• The revival of bardic names became something of a conceit following the reinvention of medieval tradition by Iolo Morganwg in the 18th century.
• His brother (David Rees Griffiths, 1882–1953) was a Welsh poet who took the bardic name of 'Amanwy' after his native valley.
• Around 1577, a caustic satire against Irish Anglican bishops Miler Magrath, Matthew Sheyn, William Casey, and a fourth bishop no longer recognizable, was composed as Irish bardic poetry by the Franciscan Friar Eoghan Ó Dubhthaigh (Owen O'Duffy).
• lists of words peculiar to the Pentateuch or Isaiah, Hebrew singletons, the form of the verb to be in Algerine, Arabic, bardic and cuneiform lettering, Arabisms and Chaldaisms in the New Testament, with vocabularies that imply he was reading Homer, Virgil, Sallust and the Hebrew Old Testament at the same time.
• However, with the Edwardian Conquest of Wales, the closing of the bardic schools, and the Anglicization of the Welsh nobility, it fell into abeyance.
• The bardic name Pencerdd Gwalia (Chief of the Welsh minstrels) was conferred on him at the 1861 Aberdare Eisteddfod.
• The diction and grammar of the , his indebtedness to some earlier Sanskrit sources, suggest that he lived after the "early Tamil bardic poets", but before Tamil bhakti poets era.
• Poet Albert Evans-Jones, who was an archdruid for the National Eisteddfod of Wales and was known by his bardic name 'Cynan', was born in Pwllheli.
• Griffith Williams (1769–1838), bardic name Gutyn Peris, a Welsh language poet, brought up in Llanberis.
• Although Iolo Morganwg was the first to preside over the Gorsedd when the National Eisteddfod came into being, his successor David Griffith, under the bardic name "Clwydfardd", was the first to be known by the official title "Archdruid".
• James James (also known by the bardic name Iago ap Ieuan) (1832–1902) was a Welsh harpist and musician from Hollybush, Blackwood, Wales.
• Each year at the National Eisteddfod the bardic chair is awarded for the awdl judged worthiest; this competition is the most famous and prestigious in the Eisteddfod, and perceived to be the most difficult.
• Williams's son, Taliesin (bardic name, Taliesin ab Iolo), whom he had named after the early medieval bard Taliesin, later went on to collect his manuscripts in 26 volumes, a selection being published as the Iolo Manuscripts by the Welsh Manuscripts Society in 1848.
• As he grew older, Ó Direáin increasingly mixed his literary and formalist idiom, the heart of which still remained, "the spoken language of the Gaeltacht", with much older influences, such as traditional bardic poetry in Classical Gaelic by Pádraigín Haicéad and Dáibhí Ó Bruadair, the 17th-century Protestant translation of the Christian Bible by Bishop William Bedell, as well as Patrick Dinneen's 1904 and 1927 dictionaries.
• Kumar Singh, of the Anthropological Survey of India, has explained that the Annals were primarily based on "bardic accounts and personal encounters" and that they "glorified and romanticised the Rajput rulers and their country" but ignored other communities.
• He was bilingual in Welsh and English, and took an active part in the Gorsedd, attending Eisteddfodau under the bardic name Pedr Conwy (Welsh: Peter from Conway).
• 1928 saw Jenner made a bard of the Welsh Gorsedd under the Cornish translation, Gwas Myghal, of his Breton bardic name.
• The Gorsedh Kernow (Gorsedd of Cornwall) was set up in 1928 at Boscawen-Un by Henry Jenner, one of the early proponents of Cornish language revival, who took the bardic name "Gwas Myghal", meaning "servant of Michael".
• Assuming Cynddelw did not independently create this form so that he might fill the metre of this line in his own poem, this gives the tantalising suggestion that he was reading sources about Urien which do not survive to us, or that this name survived in a fossilised spoken form as a part of bardic lore.

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