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• Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
• Although the genre is broad and diverse, encompassing a variety of styles and subjects, the overarching theme of early Chicano rock is its rhythm and blues influence and incorporation of brass instruments like the saxophone and trumpet, Farfisa or Hammond B3 organ, funky basslines, and its blending of Mexican vocal styling sung in English.
• It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and command-like shouts with confrontational or provocative themes.
• Goa trance often has drone-like basslines, similar to the techno minimalism of 21st century psychedelic trance (psytrance).
• Even in a conventional Western piece of instrumental music, in which all of the melodies, chords, and basslines are written out in musical notation, the performer has a degree of latitude to add artistic interpretation to the work, by such means as by varying their articulation and phrasing, choosing how long to make fermatas (held notes) or pauses, and — in the case of bowed string instruments, woodwinds or brass instruments — deciding whether to use expressive effects such as vibrato or portamento.
• Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk.
• The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats", with the harmonies and grooves of progressive house.
• Many tracks have an organic feeling, conjured through rolling, dubby basslines and processed vocal snippets, often from his wife Antye Greie aka AGF.
• The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as happy hardcore where piano rolls and uplifting vocals were still central to the sound.
• Deep house is known for tempos typically from 110 to 125 bpm, muted basslines, spacious use of percussion elements (typically using a Roland TR-909 drum machine), soft keyboard sounds (pads), use of advanced chord structures, ambient mixes, and soulful vocals.
• While any instrument can in theory be used as an accompaniment instrument, keyboard and guitar-family instruments tend to be used if there is only a single instrument, as these instruments can play chords and basslines simultaneously (chords and a bassline are easier to play simultaneously on keyboard instruments, but a fingerpicking guitarist can play chords and a bassline simultaneously on guitar).
• Murmur drew critical acclaim upon its release for its unusual sound, defined by lead singer Michael Stipe's cryptic lyrics, guitarist Peter Buck's jangly guitar style, and bass guitarist Mike Mills's melodic basslines.
• This track was one of the precursors to the jungle scene, with its sped up breakbeats and reggae/dub basslines.
• As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene.
• LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries.
• Due to the sustained nature of a hardstyle kick, producers are able to play basslines by using only the kick itself, which becomes a distinct bass tone through a series of distortion, equalization and layering (among other methods).
• Although there were other turntablist crews before the Invisibl Skratch Piklz, the Skratch Piklz were the first to apply the band concept to turntablism, layering drums, basslines, and scratch solos on top of each other.
• Simonon does not appear on any of the final recordings; the basslines were performed by Norman Watt-Roy, former member of Ian Dury and the Blockheads, who was not credited on the sleeve.
• His music is usually categorized as minimal techno, glitch or microhouse, and is characterized by deep basslines, extensive use of samples from earlier jazz and rock recordings, and clicks & cuts effects.
• By contrast, many of Jamerson's basslines relied heavily on chromatic runs, syncopation, ghost notes and inversions, with frequent use of open strings.

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