Anagram & Information om | Engelska ordet BLEGEN

Exempel på hur man kan använda BLEGEN i en mening

• In the 1940s and 1950s, Marinatos surveyed and excavated widely in the region of Messenia in southwest Greece, collaborating with Carl Blegen, who was engaged in the simultaneous excavation of the Palace of Nestor at Pylos.
• Euphemia Giannini Gregory taught Voice at the Curtis Institute for 40 years counting among her students the opera divas Anna Moffo and Judith Blegen.
• In the 1980s, Silja added Lady Macbeth of the Mtsensk District (opposite Chester Ludgin), La Cubana, Regan in Lear, Prinz Orlofsky in Die Fledermaus (with Karita Mattila and Judith Blegen, staged by Maurice Béjart), the Kostelnička in Jenůfa (at the Glyndebourne Festival), Grete in Der ferne Klang, and the Nurse in Die Frau ohne Schatten (opposite Dame Gwyneth Jones as Barak's Wife).
• Blegen wrote that "some stones with runelike markings actually carry traces left by small prehistoric creatures" which might mislead anyone who was not a professional runologist.
• Dinsmoor moved to Greece to assist Lucy Taxis Shoe Meritt with her survey of Greek architectural moulding and Carl Blegen on his books on Troy and Pylos.
• Michael Tilson Thomas with the Cleveland Orchestra, Chorus and Boys Choir; Judith Blegen, Kenneth Riegel and Peter Binder; recorded 1974, released 1975 CBS Records (quadrophonic); CD re-release 1990 MK 33172 CBS Records Masterworks.
• His commissions included a ballet score for the American Ballet Theatre, Some Times; a work for Bill Evans for jazz piano and orchestra, Symbiosis; a work for Michael Brecker for saxophone and orchestra, Cityscape; a song cycle, Tagore-Lieder, after poems by Rabindranath Tagore, recorded by Judith Blegen and Brigitte Fassbaender; a concerto for violin and orchestra, Lirico, and a Sarabande-Fantasie for violin and orchestra, recorded by Aaron Rosand; 10 Songs for Chorus A-Capella After Poems by Georg Heym, recorded by the Cologne Radio Chorus; and a work for violin and orchestra, Preludio and Chant, recorded by Gidon Kremer.
• He is known for influencing the careers of such artists as James King, Donald Gramm, Jeannine Altmeyer, Benita Valente, John Reardon, Louis Quilico, Jean-François Lapointe, Judith Blegen, Cynthia Hoffmann, Thomas Moser, and William Workman.
• The story of Schneider's ascendancy to the Deanship comes from the unpublished autobiography of Charles William Dabney, which is available for reading in the Archies and Rare Books Library at Blegen Hall.
• His recordings include L'amico Fritz (with Luciano Pavarotti and Mirella Freni conducted by Gianandrea Gavazzeni, 1968), Manon Lescaut (opposite Montserrat Caballé and Plácido Domingo, 1971), Un giorno di regno (with Jessye Norman, Fiorenza Cossotto, Carreras and Ingvar Wixell, led by Lamberto Gardelli, 1973), La bohème (as Schaunard, with Caballé, Domingo, Sherrill Milnes, Judith Blegen and Ruggero Raimondi conducted by Sir Georg Solti, 1973), Lucia di Lammermoor (opposite Caballé, Carreras and Samuel Ramey, led by Jesús López-Cobos, 1976), Edgar ("live," with Carlo Bergonzi and Scotto, 1977), Roberto Devereux (with Caballé, Carreras, and Susanne Marsee, led by Julius Rudel, 1977) and, again, Manon Lescaut (with Miriam Gauci, 1992).
• At first, Alan Wace and Carl Blegen did not yet associate Minyan Ware with the "advent of the Greeks".
• Subsequently, Carl Blegen, excavator of Pylos, who found the main cache of Linear B tablets on his legendary first day's dig, extended Evans' system to "Helladic" (adjective of Hellas, abbreviation H) and "Cycladic" (adjective of Cyclades, abbreviation C).
• At the Metropolitan Opera he first led, on tour, John Dexter's production of "Les vêpres siciliennes" (with Cristina Deutekom, Cornell MacNeil, and Paul Plishka, 1974), then conducted in the House, "Madama Butterfly" (with Harry Theyard, 1974), "La Gioconda," "Tosca," "Le siège de Corinthe" (with Beverly Sills and Shirley Verrett, 1976), "Lucia di Lammermoor" (with Miss Sills), "Tosca" (Sylvia Sass's Met debut, 1977), "La traviata" (Maria Chiara's Met debut, 1977), "Cavalleria rusticana," "Pagliacci" (with Vickers, 1978), "Don Pasquale" (with Jon Garrison, 1979), "Hänsel und Gretel" (with Tatiana Troyanos, Judith Blegen, and Michael Devlin, 1981), "La bohème," "Fidelio," "Bluebeard's Castle" (with Devlin and Jessye Norman), "Eugene Onegin" (with Mirella Freni), "Così fan tutte," "Boris Godounov," "Die Zauberflöte," "Die Entführung aus dem Serail," and, finally, "Elektra" (1994).
• Frantz and Young were among several archaeologists, including the Americans Blegen, Meritt, and Shear and the British Alan Wace, to serve in Allied intelligence services in Greece.
• On 16 May 1953, Blegen sent Ventris a copy of PY Ta 641, in which he drew attention to the correspondence between the ideograms used for vases on the tablet and the corresponding adjectives given by reading the tablet with Ventris's values for the syllabograms.

Förberedelsen av sidan tog: 157,81 ms.