Anagram & Information om | Engelska ordet CAMISA

Exempel på hur man kan använda CAMISA i en mening

• Juan dela Cruz is associated with the image of a naïve-looking man wearing a salakot, camisa de chino, native trousers, and slippers.
• Man in a coif and shirt (camisa) with gussets at the hem, from the Cantigas de Santa Maria, Spain, mid-13th century.
• It traditionally consists of four parts: a blouse (baro or camisa), a long skirt (saya or falda), a kerchief worn over the shoulders (pañuelo, fichu, or alampay), and a short rectangular cloth worn over the skirt (the tapis or patadyong).
• She worked with the theater director Miguel Narros in Fedra, by Miguel de Unamuno (1957); Three Sisters, by Anton Chekhov (1960); Fröken Julie, by August Strindberg (1961); La camisa, by Lauro Olmo (1962); El caballero de Olmedo, by Lope de Vega and La dama duende, by Pedro Calderón de la Barca.
• Like the baro't saya, the Maria Clara gown traditionally consists of four parts: a blouse (baro or camisa), a long skirt (saya), a kerchief worn over the shoulders (pañuelo, fichu, or alampay), and a short rectangular cloth worn over the skirt (the tapis or patadyong).
• He was welcomed and praised again in 1957 by Franco, receiving the Spanish nickname Cruzado en camisa negra (blackshirt crusader).
• Although with a funny personality, Kenkoy courted Rosing, the Manileña (a woman from Manila) who represented the ideal and romanticized Filipino woman – a female who was timid, shy, kind, caring, prone to jealousy, and impeccable – garbed (like Philippine national hero José Rizal’s Maria Clara) in the traditional baro’t saya or the Sunday camisa (shirt) combined with the panuelo (kerchief), including the bakya (a pair of wooden clogs) footwear.
• Noted as the librettist of numerous zarzuelas such as El Toro y el Tigre, Un embuste y una boda, Todo con raptos, El cuello de la camisa, con el Sr.
• By the 19th century, due to the continuing influence of the Western culture, the rising economy, globalization, and exposure from the European fashion scene, the women's clothing began to have a change; by the 1850s, women's clothing was now full wide skirts that usually have long train rather than the simple floor length skirts, a bodice called camisa which means blouse in English and a panuelo, a big square cloth folded triangularly and worn in the Philippines like a great ruffle or collar.
• They were an integral and distinctive part of the traditional baro't saya ensemble of Filipino commoners and the traje de mestiza ensemble of aristocratic Filipino women (along with the tapis and the abaniko fans), as they brought modesty to the relatively low neckline of the traditional camisa shirts.

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