Anagram & Information om | Engelska ordet CANVASES

Exempel på hur du använder CANVASES i en mening

• A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
• The invention of portable canvases and easels allowed the practice to develop, particularly in France, and in the early 1830s the Barbizon school of painting in natural light was highly influential.
• In the second part of his career, at the age of 57, he returned to his homeland and devoted himself to a series of twenty monumental symbolist canvases known as The Slav Epic, depicting the history of all the Slavic peoples of the world, which he painted between 1912 and 1926.
• Toward the end of the decade, Rothko painted canvases with regions of pure color which he further abstracted into rectangular color forms, the idiom he would use for the rest of his life.
• The 20th-century American oil painter Emile Gruppe painted Waterville on several canvases from a variety of points of view, almost always including the church, the North Branch of the Lamoille River, and the Church Street covered bridge.
• Between 1974 and 1977, Salvador Dalí created two big canvases of Gala Contemplating the Mediterranean Sea which at a distance of 20 meters is transformed into the portrait of Abraham Lincoln (Homage to Rothko) and prints of Lincoln in Dalivision based on a portrait of Abraham Lincoln processed on a computer by Leon Harmon published in "The Recognition of Faces".
• The techniques employed included palette knife and paint flows and soon involved the use of multiple canvases as a means of creating pictorial interactions.
• He painted canvases for churches such as that of Verolanuova (1735–1740), for the Scuola Grande dei Carmini (1740–1747), in Cannaregio, a ceiling for the Palazzi Archinto and Palazzo Dugnani in Milan (1731), the Colleoni Chapel in Bergamo (1732–1733), a ceiling for the Gesuati (Santa Maria del Rosario) in Venice of St.
• He also painted one of the canvases of the organ of the church of Santa Maria Maddalena dei Pazzi in Florence and the main altarpiece of the church of the Oratory of Gesù Pellegrino outside of the Porta San Gallo.
• He worked with a wide variety of techniques, such as poking holes in layered newspaper, throwing bottles of paint at canvases, experimenting with film and stage performances, and composing sound art.
• It houses a collection of fourteenth to twenty-first century paintings that includes works by François Boucher, Jean-Baptiste-Camille Corot, Jean-Baptiste Oudry and Peter Paul Rubens, along with canvases by such Pont-Aven School painters as Émile Bernard, Maurice Denis, Georges Lacombe, Maxime Maufra and Paul Sérusier.
• Spanning over 83 feet and 23 canvases, the painting's scale evokes Rosenquist's work on billboards, illustrating a life-sized depiction of the F-111 Aardvark aircraft.
• Originally known only by his alias, the Penguin first appeared in Gotham City as a skilled thief, sneaking a pair of priceless paintings (valued at $250,000 in 1941 dollars) out of an art museum by hiding the rolled-up canvases in the handle of his umbrella.
• Dine has been associated with many art movements including Neo-Dada (use of collage and found objects), Abstract Expressionism (the gestural nature of his painting), and Pop Art (affixing everyday objects including tools, rope, articles of clothing and even a bathroom sink) to his canvases, yet he has avoided such classifications.
• At some time during mid-1800 Cox was given work by William Macready the elder at the Birmingham Theatre, initially as an assistant grinding colours and preparing canvases for the scene painters, but from 1801 painting scenery himself and by 1802 leading his own team of assistants and being credited in plays' publicity.
• Itten's works exploring the use and composition of color resemble the square op art canvases of artists such as Josef Albers, Max Bill and Bridget Riley, and the expressionist works of Wassily Kandinsky.
• Fresco cycles were numerous in Cortona's Rome; many represented "quadri riportati" or painted framed episodes imitating canvases as found in the Sistine Chapel ceiling or in Annibale Carracci's The Loves of the Gods in the Palazzo Farnese gallery (completed 1601).
• The neo-Norman porch was built following the model of rural Normandy churches in the 1920s, and replaced a monumental doorway in neo-classical style from the previous century (which can be seen in certain canvases by Jongkind and Boudin).
• After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism.
• This is in part due to a large number of canvases he hastily produced in his youth (1630s) in pursuit of financial gain, paintings that Rosa himself came to loathe and distance himself from in his later years, as well as posthumously misattributed paintings.

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