Definition, Betydelse & Anagram | Engelska ordet CASTRATO


CASTRATO

Definition av CASTRATO

  1. kastrat

1

Antal bokstäver

8

Är palindrom

Nej

19
AS
AST
AT
ATO
CA
CAS

5

5

569
AA
AAC
AAO


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Exempel på hur man kan använda CASTRATO i en mening

  • A castrato (Italian; : castrati) is a male singer who underwent castration before puberty in order to retain singing voice equivalent to that of a soprano, mezzo-soprano, or contralto.
  • Over the millennia since, they have performed a wide variety of functions in many different cultures: courtiers or equivalent domestics, for espionage or clandestine operations, castrato singers, concubines or sexual partners, religious specialists, soldiers, royal guards, government officials, and guardians of women or harem servants.
  • With that setting the tone, it is into the maddeningly wild and woolly Celtic Frost universe full bore, Warrior roaring out his vocals with glee and a wicked smile while never resorting to self-parodic castrato wails.
  • Serse, originally sung by a mezzo-soprano castrato, is now usually performed by a female mezzo-soprano or countertenor.
  • Although a caricature, the contemporary engraving of Senesino on the left, Francesca Cuzzoni and castrato Gaetano Berenstadt on the right, provides valuable information about the visual aspect of the original performances of Handel operas.
  • However, the whole idea was abandoned shortly afterwards due to a role confusion—the emasculated Klingsor was not a castrato, but a eunuch castrated past puberty and thus singing baritone, not soprano.
  • He also made an arrangement or transcription for voice and pianoforte of the aria "Ridente la calma", an aria sung on several occasion with different texts by the famous castrato soprano Luigi Marchesi.
  • Imprimatur is also the name of a 2002 thriller novel by Rita Monaldi and Francesco Sorti, with the castrato singer Atto Melani as a central character.
  • The young George Frideric Handel made his English début with his opera Rinaldo, on 24 February 1711 at the theatre, featuring the two leading castrato singers of the era, Nicolo Grimaldi and Valentino Urbani.
  • The most frequently performed breeches roles are Cherubino (The Marriage of Figaro), Octavian (Der Rosenkavalier), Hansel (Hansel und Gretel) and Orpheus (Orpheus and Euridice), though the latter was originally written for a male singer, first a castrato and later, in the revised French version, an haute-contre.
  • He introduces this notion of intention in the epigraph to the essay, taken from Honoré de Balzac's story Sarrasine in which a male protagonist mistakes a castrato for a woman and falls in love with him.
  • Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi (detto Nicolini)'.
  • The practice of women performing en travesti in operas became increasingly common in the early 19th century as castrato singers went out of fashion and were replaced by mezzo-sopranos or contraltos in the young masculine roles.
  • Originally composed to be sung by a soprano castrato (and typically sung in modern performances of Serse by a countertenor, contralto or a mezzo-soprano; sometimes even by a tenor or high baritone an octave below), it has been arranged for other voice types and instruments, including solo organ, solo piano, violin or cello and piano, and string ensembles, often under the title "Largo from Xerxes" or (as in Thornton Wilder's Our Town) simply "Handel's Largo", although the original tempo is marked larghetto.
  • Massacration's origins trace back to 1979 (in a nod to the same year when Spinal Tap was formed) in the United States, when petty criminal and talented guitarist John "Blondie" Hammett (played by Fausto Fanti), after being arrested for the sixth time, became cellmates with quail smuggler and castrato singer David "Detonator" Sutter (played by Bruno Sutter); united by their mutual tastes on rock and heavy metal music, they soon developed a very strong friendship.
  • They disliked the castrato voice and because they placed a premium on the clear enunciation of the texts of their vocal music, they objected to the sung word being obscured by excessive fioritura.
  • By the eighteenth century, Martha Feldman argued, the technique was a castrato hallmark entailing masterly breath control.
  • The piece consists of David Tibet's spoken and whispered vocals over eerie noises and the "long shadows" loop, which is a sample of Alessandro Moreschi, the only castrato who made recordings, singing "Domine, Domine".
  • A colourful anecdote relates how another overweening castrato star, Caffarelli, rode post-haste to Rome from Naples just to attend incognito his debut; and full of enthusiasm eventually yelled at him: "Bravo, bravissimo Gizziello, it’s Caffariello who's telling you!" Whatever the case, at the beginning of 1732 he was urgently called upon to replace the castrato Nicolò Grimaldi (Nicolini), who suddenly died on 1 January during the rehearsals of Pergolesi's first opera La Salustia at the Teatro San Bartolomeo in Naples.
  • In 1761 he settled in Vienna, where he met likeminded reformers: Gluck; Count Giacomo Durazzo, the theatre director; Gasparo Angiolini, the choreographer; Giovanni Maria Quaglio, the set designer; and the castrato Gaetano Guadagni.


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