Information om | Engelska ordet CHHATTISGARHI

Exempel på hur man kan använda CHHATTISGARHI i en mening

• Among the languages using it as a primary or secondary script are Marathi, Pāḷi, Sanskrit, Hindi, Boro, Nepali, Sherpa, Prakrit, Apabhramsha, Awadhi, Bhojpuri, Braj Bhasha, Chhattisgarhi, Haryanvi, Magahi, Nagpuri, Rajasthani, Khandeshi, Bhili, Dogri, Kashmiri, Maithili, Konkani, Sindhi, Nepal Bhasa, Mundari, Angika, Bajjika and Santali.
• The literature was produced in dialects such as Khariboli, Braj, Bundeli, Awadhi, Kannauji, as well as Marwari and Chhattisgarhi.
• While the majority of his songs were in Bengali and Hindi, he showcased his singing prowess in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Gujarati, Kannada, Malayalam, and Chhattisgarhi.
• Apart from Hindi, he has also sung in other languages including Marathi, Nepali, Assamese, Bhojpuri, Gujarati, Manipuri, Telugu, Malayalam, Kannada, Tamil, Punjabi, Odia, Chhattisgarhi, Urdu, Pali, English and his native language Bengali.
• In the 1901 census, 6,111,000 (63% percent) of the population spoke variants of Hindi, chiefly Chhattisgarhi (27%), Bundeli (15%), Bagheli (10%) and Malvi or Rajasthani (5%).
• They speak multiple languages, including Sora, Odia, Assam Sadri, Sambalpuri, Kurmali, Santali, Kurukh, Kharia, Kui, Chhattisgarhi, Gondi and Mundari.
• The chief languages or dialects used in the Kanker district are Hindi, Bengali, Chhattisgarhi, Gondi and Halbi.
• During his illustrious career he brought works from all genres to stage, from ancient Sanskrit works by Shudraka, Bhasa, Vishakhadatta and Bhavabhuti; to European classics by Shakespeare, Molière and Goldoni; modern masters Brecht, Garcia, Lorca, Gorky, and Oscar Wilde; Tagore, Asghar Wajahat, Shankar Shesh, Safdar Hashmi, Rahul Varma, stories by Premchand, Stefan Zweig and Vijaydan Detha, apart from an array of Chhattisgarhi folk tales.
• After his return from RADA, Habib began his work with Chhattisgarhi tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal, and went on to include indigenous performance forms such as nacha to create a new theatrical language, later he wrote Charandas Chor (1975), Gaon ka Naam Sasural, Mor Naam Damad and Kamdeo ka Apna Basant Ritu ka Sapna and notably staged, Asghar Wajahat's Jis Lahore Nai Dekhya (1990).
• Broadcast languages include Sinhalese, Malayalam, Telugu, Kannada, Tamil, Oriya, Gujarati, Punjabi, Bengali, Assamese, Hindi, Rajasthani, Marwari, Marathi, Bhojpuri, Bundeli, Nepali, Chhattisgarhi, Urdu, and Santali.
• Other hardships for the tribals included: an influx of outside traders into adivasi lands, such as Telugu and Chhattisgarhi moneylenders, who had exploitative relationships with the communities in which they worked, the exploitative system of begar, or forced labour, implemented by officials, suppression of their ghotul culture in the education system, and suppression of their traditional religion by banning home-brewing of alcohol.
• It extends over three linguistic sub-regions of the Indo-Aryan language family and the languages chiefly spoken here are, from west to east, Marwari, Malwi, Bundeli, Bagheli, Chhattisgarhi and Maithili.

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