Definition, Betydelse & Synonymer | Engelska ordet CHIAROSCURO

Definition av CHIAROSCURO

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Exempel på hur man kan använda CHIAROSCURO i en mening

• Andrea Andreani (1540–1623) was an Italian engraver on wood, who was among the first printmakers in Italy to use chiaroscuro, which required multiple colours.
• Further specialized uses of the term include chiaroscuro woodcut for colour woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro for drawings on coloured paper in a dark medium with white highlighting.
• He adjusted the European style he was trained in to suit Chinese taste; for example, strong shadows used in chiaroscuro techniques were unacceptable in portraiture as the Qianlong Emperor thought that shadows looked like dirt, therefore when Castiglione painted the Emperor, the intensity of the light was reduced so that there was no shadow on the face, and the features were distinct.
• The artists used charcoal and ochre or hematite to create the images, often diluting these pigments to produce variations in intensity and creating an impression of chiaroscuro.
• According to Claire Parker, the images created by the pinscreen made it possible to make an animated movie which escaped from the flat, "comic" aspect of cel animation and plunged instead into the dramatic and the poetic by the exploitation of chiaroscuro, or shading effects.
• It is unknown whether Zurbarán had the opportunity to see the paintings of Caravaggio, only that his work features a similar use of chiaroscuro and tenebrism (dramatic lighting).
• Sternberg's finest works are noteworthy for their striking pictorial compositions, dense décor, chiaroscuro illumination, and relentless camera motion, endowing the scenes with emotional intensity.
• He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro.
• in the indentations above the vaults: oil paintings in chiaroscuro of the Doctors of the Church, done on canvas in Rome by Lodovico Seitz (1844-1908), son of Alexander Seitz.
• He does not deny himself a teasingly neurotic scherzo, as in his last two string quartets (that in the Thirteenth Quartet, his last published work, is frantic, and almost chiaroscuro but certainly contrasted) and the general paring down of means usually allows for direct and reasonably intense expression, as with the Cello Concerto (dedicated to and premiered by Sviatoslav Knushevitsky) and Cello Sonata No.
• Sculptures both classical and secular (the sacrificing Libera, a Roman fertility goddess) on the one hand and modern and religious (Christ at the Column) are represented, while on the table are ranged, among the exotic shells (including some tropical ones and a shark's tooth): portrait miniatures, gem-stones mounted with pearls in a curious quatrefoil box, a set of sepia chiaroscuro woodcuts or drawings, and a small still-life painting leaning against a flower-piece, coins and medals—presumably Greek and Roman—and Roman terracotta oil-lamps, a Chinese-style brass lock, curious flasks, and a blue-and-white Ming porcelain bowl.
• Techniques characteristic of Renaissance art include the use of proportion and linear perspective; foreshortening, to create an illusion of depth; sfumato, a technique of softening of sharp outlines by subtle blending of tones to give the illusion of depth or three-dimensionality; and chiaroscuro, the effect of using a strong contrast between light and dark to give the illusion of depth or three-dimensionality.
• Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality.
• Jean-Jacques Henner (5 March 1829 – 23 July 1905) was a French painter, noted for his use of sfumato and chiaroscuro in painting nudes, religious subjects and portraits.
• Describing director Hillyer's visuals as "lush, evocative, and suffused with just the right gothic chiaroscuro" and noting that "Gloria Holden, as the reluctant vampire protagonist, absolutely drips patrician eroticism", EW concludes that this film is better than Lugosi's original Dracula.
• Bellamy applied all the graphic tricks in his arsenal from stippling and cross-hatching to chiaroscuro inking to create a modern and eye-catching look for Garth unlike anything else appearing in newspapers at the time.
• The shadowy photography by Robert de Grasse was done in stylish chiaroscuro shadings, giving the film an uncanny feel.
• At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823–1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi.
• Raphael's Transfiguration can be considered a prefiguration of both Mannerism, as evidenced by the stylised, contorted poses of the figures at the bottom of the picture; and of Baroque painting, as evidenced by the dramatic tension imbued within those figures, and the strong use of chiaroscuro throughout.
• It is clear that he brought to Sicily the lessons he had learnt from Caravaggio, in particular the use of dramatic chiaroscuro and the depiction of scenes seized at the moment of greatest dramatic intensity, but his work (or rather his workshop's output) has been criticised for "endlessly recycled motifs" and "bland religious canvasses".

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