Anagram & Information om | Engelska ordet CHORDAL

Exempel på hur man kan använda CHORDAL i en mening

• It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music.
• Treewidth may also be defined from other structures than tree decompositions, including chordal graphs, brambles, and havens.
• Other names for these quadrilaterals are concyclic quadrilateral and chordal quadrilateral, the latter since the sides of the quadrilateral are chords of the circumcircle.
• Jangle or jingle-jangle is a sound typically characterized by undistorted, treble-heavy electric guitars (particularly 12-strings) played in a droning chordal style (by strumming or arpeggiating).
• Ukraine found itself at the crossroads of Asia and Europe and this is reflected within the music in a perplexing mix of exotic melismatic singing with chordal harmony which does not always easily fit the rules of traditional Western European harmony.
• These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand.
• The maximal outerplanar graphs, those to which no more edges can be added while preserving outerplanarity, are also chordal graphs and visibility graphs.
• From the fact that a graph is an interval graph if and only if it is chordal and its complement is a comparability graph, it follows that graph and its complement are both interval graphs if and only if the graph is both a split graph and a permutation graph.
• The first part of the first theme is restated before the movement is pulled into a loud development section in C minor which opens with toccata-like quavers in the piano and reaches a loud chordal section.
• Given any point on a sphere, its antipodal point is the unique point at greatest distance, whether measured intrinsically (great-circle distance on the surface of the sphere) or extrinsically (chordal distance through the sphere's interior).
• Joan La Barbara's early creative work (early to mid 1970s) focuses on experimentation and investigation of vocal sound as raw sonic material including works that explore varied timbres on a single pitch, circular breathing techniques inspired by horn players, and multiphonic or chordal singing.
• Western letter pitch notation has the virtue of identifying discrete pitches, but among its disadvantages are its occasional inability to represent pitches or inflections lying outside those theoretically derived, or (leaving aside chordal and tablature notations) representing the relationship between pitches—e.
• In 19th-century classical music the seventh chord was generally the upper limit in "chordal consonance", with ninth and eleventh chords being used for "extra power" but invariably with one or more notes treated as appoggiaturas.
• The symphony is characterized by its use of string and woodwind solos; the first movement opens with a long and discursive clarinet solo over a timpani roll; (this idea returns at the start of the fourth movement, fortissimo in the strings, with wind and brass chordal accompaniment), and subsequent movements include violin, viola, and cello solos.
• 83 marks the beginning of the development section which begins with more fugal motives before transitioning into a chordal, then a fugal chordal section, and finally a recapitulation is reached at m.
• The empfindsamer Stil is similar to and often considered a dialect of the international galant style, which is marked by simple homophonic textures (a single, clear melody, supported by subordinate chordal accompaniment) and periodic melodic phrases.
• Perfect graphs include many important graphs classes including bipartite graphs, chordal graphs, and comparability graphs.
• Since chordal graphs can be optimally colored in O(n + m) time, the same is also true for acyclic coloring on that class of graphs.
• It was an important predecessor not only to the madrigal, but to much later practices in the Baroque era such as monody, since it anticipates chordal accompaniment, has the melody in the highest voice, and shows an early feeling for what later developed into functional harmony.
• Turrentine was also adept on the piano at chord blockings and was a compositional exponent of Thelonious Monk's earlier chordal voicings.

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