Definition, Betydelse & Anagram | Engelska ordet CHORUSES


CHORUSES

Definition av CHORUSES

  1. böjningsform av chorus

2

Antal bokstäver

8

Är palindrom

Nej

18
CH
CHO
ES
HO
HOR

1

5

6

655
CE
CEO
CER


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Exempel på hur man kan använda CHORUSES i en mening

  • Identifying factors of pop music usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse–chorus structure), and rhythms or tempos that can be easily danced to.
  • Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay Opera and Drama under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conventional operatic units of arias, ensembles, and choruses.
  • In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices.
  • Common traits include a slow-paced and heavy riffing style, anthemic choruses, use of both sung and harsh vocals, a reliance on folk instrumentation, and often the use of keyboards for atmospheric effect.
  • With a far-reaching community programme and a family of choruses and youth ensembles, it is involved in every aspect of music-making in the Midlands.
  • The highly produced music, including both upbeat, dramatic songs and slower power ballads, features strong emphasis on melody and frequently employs anthemic choruses.
  • It replaced the dominance of the rough honky tonk music with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop.
  • Power metal bands usually have anthemic songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.
  • The American singer, Patricia "Patsy" Petersen, sang the choruses on the single and fronted the project with Mario.
  • It is thought that choruses had their start in Dionysian dithyrambs, hymns and dances in honor Dionysus, and then other characters began to be incorporated.
  • The earliest examples of compositions employing rondo form are found within Italian opera arias and choruses of the first years of the 17th century.
  • Described by Allmusic's Vincent Jeffries as "complete with anthemic choruses, spoken word storylines, and plenty of bombastic power metal punctuating every dramatic turn," he stated that "Nightfall in Middle-Earth is perhaps Blind Guardian's most triumphant" work.
  • These mixes sound slightly different from their original versions, with crisper and clearer background noises, such as accompanying acoustic guitars and choruses which have been emphasized.
  • The EP features guest vocals by Ann Wilson from the band Heart, who joined vocalist Layne Staley and guitarist Jerry Cantrell for the choruses of "Brother" and "Am I Inside".
  • Stylistically, Defenders of the Faith did not greatly depart from its predecessor and featured a similar formula of short, up-tempo metal anthems with stadium shout-along choruses, although progressive elements returned on some tracks such as "The Sentinel".
  • Anecdotes indicate that versions of "Say, Brothers" were sung as part of African American ring shouts; appearance of the hymn in this call-and-response setting with singing, clapping, stomping, dancing, and extended ecstatic choruses may have given impetus to the development of the well known "Glory hallelujah" chorus.
  • Roméo et Juliette is a seven-movement symphonie dramatique for orchestra and three choruses, with vocal solos, by French composer Hector Berlioz.
  • Most songs escalate into falsetto vocals and bombastic, over-the-top anthemic choruses, with crushing guitars and subtle samplers.
  • He was active as a singer and pianist with the choruses at the Church of the Heavenly Rest and the Church of the Transfiguration (Little Church Around the Corner), and was the rehearsal pianist for the world premiere of Carlos Chávez's opera Panfilo and Lauretta at Columbia University during the spring of 1957.
  • Curio and Nireno were not allotted any arias in the original version, only singing in recitatives, although they take part in the first and final choruses.


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