Anagram & Information om | Engelska ordet CODAS

Exempel på hur du använder CODAS i en mening

• The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created.
• The Hmongic languages appear to have kept the large set of initial consonants featured in the protolanguage but greatly reduced the distinctions in the syllable finals, in particular losing all glides and stop codas.
• This was achieved by trimming the length of individual songs, such as by removing instrumental intros and codas from songs like "Rock the Casbah" and "Overpowered by Funk".
• Club opined that Interpol's virtue "lies in the way its music unfurls from pinched openings to wide-open codas", while Rob Sheffield of Rolling Stone wrote that their "sleek, melancholy sound is a thing of glacial beauty".
• Vocalic epenthesis typically occurs when words are borrowed from a language that has consonant clusters or syllable codas that are not permitted in the borrowing language.
• Post-Fairlight, Yello are clever, sometimes too clever-clever, occasionally jarring as the montaging lays code upon codas.
• In Wu, Min (generally), New Xiang (Hunanese), Jin, and in the Lower Yangtze and Minjiang dialects of Mandarin, these codas conflate to glottal stop.
• loss of the phonemically short nasal in short syllables into a front, middle noasal between a and e, indifferent to the width of the opening of ą̈: zą̈bi, sometimes going to ą (ćąsko) or ę (ćęsko), or sometimes denazalisation in unstressed codas or before sibilants (i̯azik, i̯ėnzik).
• Pitchfork described the song as one of the centrepieces on the album and that "like a lot of the band's best songs, it splits into three and four parts, veering into bridges where there should be choruses, verses where there should codas, and dirges where there should be melodies".
• Bininj Kunwok is typical of the languages of central Arnhem Land (and contrasts with most other Australian languages) in having a phonemic glottal stop, two stop series (short and long), five vowels without a length contrast, relatively complex consonant clusters in codas (though only single-consonant onsets) and no essential distinction between word and syllable phonotactics.
• The underlying syllable structure of Eastern/Central Arrernte is argued to be VC(C), with obligatory codas and no onsets.
• Anticipation of nonnasal codas on final syllables, on the other hand, has caused systematic stopping (postplosion) of syllable-initial nasals, creating a class of prenasalized voiced obstruents that correspond to simple nasals in Yabem, as in the final seven examples in the following table.
• The songs are a mixture of jointly-composed originals, reworkings of songs from Strawbs albums and Dave Cousins' solo album Two Weeks Last Summer, together with Wakeman instrumental compositions presented as codas to the Cousins songs.
• Within phonology, words are structured into tone groups composed of syllables that are composed of onsets, nuclei, and codas, which control clusters of articulatory gestures.
• However, the greater percentage will thrill to the way the eerie and puzzling intensity builds up a compelling head of scream as the stark brand of Witchfinder General shock value rears its head in the most startling of codas.
• An analysis of two phonemic syllable tones, HIGH and LOW, is complicated by the appearance of all three word tones on monosyllables with final occlusive codas (and phonetically short vowels).
• Syllables with stop codas (-p, -t and -k) had no phonemic tonal contrast, but were traditionally treated as comprising a fourth category, called the entering tone.
• In Cantonese phonology, a close relationship exists between the nasal codas (-m, -n, -ŋ) and the stop codas (-p, -t, -k).
• A later merger of nasal codas as /ŋ/ occurred in Pu–Xian and some Eastern Min dialects, including Fuzhou, Fuding and Gutian, but not Fu'an and Ningde.
• Further research on syllabification and stress assignment has established a dichotomy between languages whose syllabification relies on the use of codas and those whose right-edge constituents are best analyzed as the onsets of empty-headed syllables.

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