Definition, Betydelse & Anagram | Engelska ordet COMPOSITION'S

Definition av COMPOSITION'S

1. böjningsform av composition

Exempel på hur du använder COMPOSITION'S i en mening

• Pan and scan is a method of adjusting widescreen film images so that they can be shown in fullscreen proportions of a standard-definition 4:3 aspect ratio television screen, often cropping off the sides of the original widescreen image to focus on the composition's most important aspects.
• Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations.
• Roddenberry wrote words for Courage's theme, not because he expected the lyrics to be sung on television, but so that he (Roddenberry) could receive half of the royalties from the song by claiming credit as the composition's co-writer.
• The derivative work is itself copyrighted, but if the original work is under copyright, then permission of both the composition's rightsholder and of the arrangement's rightsholder is needed before performance, distribution, or recording is planned.
• The underdrawings of both the Buccleuch and Lansdowne Madonnas show several features not in the finished works, but present in some copies; it is likely that these were originally copied from the prime versions during an early stage of the composition's development.
• The composition's movements are all based on the musical notes F-A-E, the motto's initials, as a musical cryptogram.
• The composition's first wide-scale airing was on a 1963 television episode of The Andy Griffith Show called "Briscoe Declares for Aunt Bee", in which it is played by visiting musical family the Darlings (portrayed by The Dillards, a bluegrass group), along with Griffith himself.
• Because of this strong association, even though it is not included in the score, the Strauss polka is always played attacca before Charivari, as the composition's first bars are very similar to the Perpetuum mobile ending.
• Malvasia also states that older and more established artists in Bologna criticised the work for excessive realism (calling its figure of Christ a "naked porter"), the composition's disharmony, the inaccurate and fast brushwork and the lack of decorum seen, for example, in Francis' calloused feet.

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