Anagram & Information om | Engelska ordet CONCERTI

Exempel på hur du använder CONCERTI i en mening

• Played by a cellist or violoncellist, it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti.
• A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists.
• Though his entire production is limited to just six published collections – five of which are trio sonatas or solo and one of concerti grossi — he achieved great fame and success throughout Europe, in the process crystallizing widely influential musical models.
• Giovanni may indeed have been brought up by his uncle, as is implied by the dedication to his 1587 book of concerti, in which he described himself as "little less than a son" to his uncle.
• Paul Wittgenstein (November 5, 1887March 3, 1961) was an Austrian-American concert pianist notable for commissioning new piano concerti for the left hand alone, following the amputation of his right arm during the First World War.
• Oistrakh collaborated with major orchestras and musicians from many parts of the world and was the dedicatee of numerous violin works, including both of Dmitri Shostakovich's violin concerti and the violin concerto by Aram Khachaturian.
• During Litton's tenure, the orchestra recorded the four Rachmaninoff piano concerti and the Rhapsody on a Theme of Paganini with Stephen Hough for Hyperion Records.
• Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino.
• Geminiani's best-known compositions are three sets of concerti grossi; his Opus 2 (1732), Opus 3 (1733) and Opus 7 (1746) (there are 42 concerti in all) which introduce the viola as a member of the concertino group of soloists, making them essentially concerti for string quartet.
• Highly regarded during his lifetime, Spohr composed ten symphonies, ten operas, eighteen violin concerti, four clarinet concerti, four oratorios, and various works for small ensemble, chamber music, and art songs.
• Among his best-known recordings are the concerti of Grieg and Schumann with Herbert von Karajan; the Brahms concerti with Leonard Bernstein; the piano concerti of Chopin, one recording conducted by Carlo Maria Giulini and a later one conducted by himself at the keyboard; the Third, Fourth and Fifth Piano Concertos of Beethoven under Bernstein (Zimerman himself led the Vienna Philharmonic from the keyboard in Beethoven's First and Second Concertos); the first and second piano concerti of Rachmaninoff; the piano concerti of Liszt with Seiji Ozawa, the piano concerti of Ravel with Pierre Boulez, and solo piano works by Chopin, Liszt (including one of the most virtuosic performances of the famous Piano Sonata in B minor), Debussy and Schubert.
• Lodovico Grossi da Viadana – Cento concerti ecclesiastici (One Hundred Church Concertos), the first major publication to make extensive use of figured bass.
• With the harpsichord revival in the 20th century, harpsichordists commissioned new pieces for the new 'revival' instrument: Wanda Landowska commissioned concerti from Francis Poulenc and Manuel de Falla.
• The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 have led music historians to revise the common view that the first concerto for the instrument was written by Johann Stamitz around 1755.
• Pietro Locatelli – L'arte del violino: XII concerti, cioè violino solo, con XXIV capricci ad libitum, Op.
• His early concertato music seems to have been modeled on Lodovico Grossi da Viadana's Cento concerti ecclesiastici, which were available in an edition prepared in Germany.
• Uchida is further noted for her recordings of Beethoven's complete piano concerti with Kurt Sanderling conducting, Beethoven's late piano sonatas, and a Schubert piano cycle.
• His orchestral works include Flames (RLPO/Atherton 1981), Gregorian Variations (Philharmonia/Pittsburgh/Previn 1984), Secret Garden (LSO/Davis, Barbican 1997) and The Garden of Earthly Delights (NYO/Rostropovich, Proms 1998) plus concerti for clarinet, violin, oboe, 'cello and organ.
• After permanently settling in the little town of Asolo in 1923, Malipiero began the editorial work for which he would become best known, a complete edition of all of Claudio Monteverdi's oeuvre, from 1926 to 1942, and after 1952, editing much of Vivaldi's concerti at the Istituto Italiano Antonio Vivaldi.
• Harwood made his concerto debut at the age of ten (playing the G minor Kabalevsky Concerto at the Adrian Boult Hall, Birmingham) and, since then, has performed concerti and recitals in major venues including the Royal Albert Hall, Royal Festival Hall, Queen Elizabeth Hall, Wigmore Hall, Musikverein, Concertgebouw, Alte Oper,.

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