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• January 11 – French writer Charles Perrault releases the book Histoires ou contes du temps passé (literally "Tales of Past Times", known in England as "Mother Goose tales") in Paris, a collection of popular fairy tales, including Cinderella, Puss in Boots, Red Riding Hood, The Sleeping Beauty and Bluebeard.
• The first literary European version of the story was published in Italy by Giambattista Basile in his Pentamerone in 1634; the version that is now most widely known in the English-speaking world was published in French by Charles Perrault in Histoires ou contes du temps passé in 1697 as Cendrillon and was anglicized as Cinderella.
• He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales, published in his 1697 book Histoires ou contes du temps passé.
• Giambattista Basile wrote another, "Sun, Moon, and Talia" for his collection Pentamerone, published posthumously in 1634–36 and adapted by Charles Perrault in Histoires ou contes du temps passé in 1697.
• Thomas-Simon Gueullette – Les Mille et un quarts-d’heure, contes tartares (The Thousand and One Quarters of an Hour, Tartarian Tales).
• Thomas-Simon Gueullette – Les Aventures merveilleuses du mandarin Fum-Hoam, contes chinois (The Transmigrations of the Mandarin Fum-Hoam (Chinese Tales)).
• unknown date – Charles Perrault's Histoires ou contes du temps passé (1697) is translated into English for the first time, by Robert Samber as Histories or Tales of Past Times, told by Mother Goose.
• Thomas-Simon Gueullette – Les Sultanes de Guzarate, contes mogols (Mogul Tales; or, the Dreams of Men Awake).
• Thomas-Simon Gueullette – Les Mille et une Heures, contes péruviens (Peruvian Tales: Related in One Thousand and One Hours, by One of the Select Virgins of Cusco).
• "Beauty and the Beast" is a fairy-tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in La Jeune Américaine et les contes marins (The Young American and Marine Tales).
• The Sinbad tales are included in the first European translation of the Nights, Antoine Galland's Les mille et une nuits, contes arabes traduits en français, an English edition of which appeared in 1711 as The new Arabian winter nights entertainments and went through numerous editions throughout the 18th century.
• His Contes, hovering between French fairy tales and oriental fantasies, between conventional charm and moral satire, have been collected and were published in 2005; they were originally published as les Féeries nouvelles (1741), les Contes orientaux (1743), Cinq contes de fées (1745), plus two posthumous stories published in 1775.
• In subsequent decades, Kraus extended his repertoire to include more Italian operas such as Lucrezia Borgia, La fille du régiment, Linda di Chamounix, Don Pasquale and La favorita by Donizetti; and French operas such as Roméo et Juliette, Les contes d'Hoffmann, Faust and Lakmé, while continuing to sing his hallmark roles of Werther and of Des Grieux in Manon.
• Thereafter she further sang larger roles such as Irene in Rienzi, Antonia in Les contes d’Hoffmann, Dorabella in Così fan tutte and Gutrune in Götterdämmerung.
• Among van Dam's extensive discography are complete studio recordings of Carmen as Escamillo (in 1974 under Lombard in Strasbourg, in 1975 under Solti in London and 1982 under Karajan in Berlin), as the father in Louise (Rudel, 1977), Die Zauberflöte (as the Speaker, 1980), Faust as Méphistophélès (conducted by Michel Plasson, 1991), Les contes d'Hoffmann as the four opponents of Hoffmann (in 1988 under Cambreling, and under Nagano in 1994–1996), Don Carlos (1996), and Die Meistersinger (conducted by Sir Georg Solti, 1997).
• Her repertoire also included Zerlina in Don Giovanni, Despina in Così fan tutte, Cherubino and Susanna in The Marriage of Figaro, Liù in Turandot, Cio-Cio-San in Madama Butterfly, Micaëla in Carmen, Marguerite in Faust, the title role in La Périchole, Gretel in Hansel and Gretel, Lisa in The Queen of Spades, The Composer in Ariadne auf Naxos, Antonia in Les contes d'Hoffmann, Mélisande in Pelléas et Mélisande, Marenka in The Bartered Bride, Desdemona in Otello, Mme Lidoine in Dialogues des Carmélites, the title roles of Salome and Lulu, Jenny Smith in Rise and Fall of the City of Mahagonny (directed by John Dexter) and Marie Antoinette in John Corigliano's The Ghosts of Versailles.
• Later roles there included the title role in Arabella by Richard Strauss, Blanche in Poulenc's Les dialogues des Carmélites, Antonia in Offenbach's Les contes d'Hoffmann, Gutrune in Wagner's Götterdämmerung, Micaëla in Bizet's Carmen, Eva in Wagner's Die Meistersinger von Nürnberg, Hecuba in King Priam, Chrysothemis in Elektra, the Empress in Die Frau ohne Schatten and the title role in Ariadne auf Naxos.
• Vuitanta-sis contes (comprising Uf, va dir ell, Olivetti, Moulinex, Chaffoteaux et Maury, L'illa de Maians, El perquè de tot plegat and Guadalajara), 1999.

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