Anagram & Information om | Engelska ordet CORSINI

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• Lorenzo Corsini was born in Florence in 1652 as the son of Bartolomeo Corsini, Marquis of Casigliano and his wife Elisabetta Strozzi, the sister of the Duke of Bagnuolo.
• In 1682–1683 Giordano painted various fresco series in Florence, including one in the dome of the Corsini Chapel of Santa Maria del Carmine, Florence.
• This delegation was composed of the mayor himself, Prince Tommaso Corsini, three priests – Rezzi, Mertel and Arrighi – Marchese Paolucci de Calboli, doctor Fusconi and lawyer Rossi.
• In October 2001, John Paul II beatified a married couple, Luigi Beltrame Quattrocchi and Maria Corsini, who bore four children, but later in life lived separately and committed to a Josephite marriage.
• On the conclusion of his studies he continued his stay in Rome, and having been introduced to the celebrated Jansenist historian, Giovanni Gaetano Bottari, the librarian of the Corsini, he translated some meditative works of Pasquier Quesnel and received from Bottari a canonry at Santa Maria in Trastevere.
• His visits to the estate of the Princes Corsini in Maremma in 1881 and 1882 culminated in a series of paintings of cowherds, some of which were exhibited at the Esposizione Nazionale in Venice in 1887.
• He also commissioned the façade of Santa Maria Maggiore, the Palazzo della Consulta, and the ports in Anzio, Ravenna (porto Corsini) and Ancona.
• L'Autunno del diavolo : "Diabolos, dialogos, daimon", convegno di Torino 17-21 ottobre 1988, a cura di Eugenio Corsini e altri; testi di Baget Bozzo e altri.
• Notably, the collection included three Rembrandts, La Danse by Watteau, the Memling portrait by Corsini, the Rubens Ganymede, and Vermeer's The Artist in His Studio, a forced sale at a knock-down price.
• His works are well distributed among baroque Churches of Rome including San Carlo al Corso ceiling frescoes (1670–1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of Sant'Andrea (1650) in Santa Maria in Via Lata, a painting of Martyrdom of the Forty (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a Coronation of the Virgin (1680) which serves as main altarpiece for the church of Gesù e Maria, a canvas of the Drunkedness of Noah in the Galleria Corsini, an Assumption (1655) for Santa Maria in Organo in Verona, a fresco from Ovid's Metamorphoses (1651–1653) for Palazzo Pamphilj in Piazza Navona, and a Martyrdom of San Biagio for the church of San Carlo ai Catinari; a Visione del beato Giovanni di San Facondo (1656) and a Estasi della beata Rita da Cascia (1660) in the Basilica di Sant'Agostino in Campo Marzio, San Rocco intercede per i malati di peste (1673) and San Rocco in gloria (1674) in the Chiesa di San Rocco all'Augusteo; Compianto sul Cristo morto (1675–76) in the Chiesa di Sant'Andrea al Quirinale.
• The film starred Libertad Lamarque, who sings "Caminito", the celebrated 1926 tango composed by Juan de Dios Filiberto with lyrics by Coria Peñaloza originally popularized by Carlos Gardel and Ignacio Corsini.
• The Pope Clement XII (Corsini) commissioned the present palace from Ferdinando Fuga, and it was completed in 1737 to house the secretariat of the Sacra Congregazione della Consulta (which served as the main council of state of the Papal states and tribunal) as well as the Segnatura dei Brevi, as well as two corps of Papal Guard units.
• Among the last illustrious members of the Grand Ducal period are Prince Colloredo-Mansfeld, the Marquises Malaspina, Emanuele Fenzi, Prince Andrea Corsini, Stanislao Grottanelli De Santi, the Princes Poniatowski, Count Francesco De Larderel, Alessandro Carega, the Counts della Gherardesca, the lawyer Ubaldo Maggi, the Count Demetrio Finocchietti, Cosimo Ridolfi, Giovanni Baldasseroni, Guglielmo De Cambray Digny, the lawyer Primo Ronchivecchi and the Count lawyer Luigi Fabbri.
• The theatre had a seating capacity of 1,050, and staged a variety of performances, including appearances by the tango artists Carlos Gardel, Francisco Canaro, Roberto Firpo and Ignacio Corsini.
• Curial group – it included two factions of curial Cardinals: Anziani – the small party of the Cardinals created by Pope Clement XII with his Cardinal-nephew Neri Maria Corsini as leader; and Zelanti – the group of the conservative Cardinals, headed by Cardinal Giuseppe Spinelli, who generally opposed any secular influence on the Church.
• During his time at the Accademia he developed a close friendship with fellow pupils Domenico Corsini and Pelagio Palagi.
• The rotating panel of gay men included Michael Yerxa, Alex Illest, Jean-Paul Bevilacqua, Juan Manuel Gonzalez Calcaneo, Jonathan Morton-Schuster, Matt Barker, Dean McArthur, Matt Santos, Philip Tetro, Ian Lynch, Andrew Edwards, Jake Mossop, Thomas Trafford, Ish, Jonathan Nathaniel, Gerry King, Simon Lysnes, Max Claude, Alex Brown, Jason Yantha, Dillon Scheenaard, JP Larocque, Rafay Agha, Gabriel Rojas, Jae MT, Kiel Hughes, Gaelan Love, Michael Lehman, Shawn Hitchins, Taylor James, Thomas Haskell, Chris Corsini, David Robert, Maurie Sherman, Ralph Rosario, Evan Ford, Brad Blaylock, Ryan Carter, Ibrahim Hasan, Scott Do, Matthew Agius, Micha Baltman, Anthony Berardinucci, Matt Sims, Perez Hilton, James Bar, Jeffrey Bowers, Brett Ashley, Chase Hutchinson, Jonathan D.
• Many distinguished Italian academics and intellectuals belong to the history of L’Indice: from those who gathered around Gian Giacomo Migone in 1984 (Piergiorgio Battaggia, Gian Luigi Beccaria, Riccardo Bellofiore, Mariolina Bertini, Eliana Bouchard, Loris Campetti, Cesare Cases, Enrico Castelnuovo, Gianfranco Corsini, Lidia De Federicis, Aldo Fasolo, Franco Ferraresi, Delia Frigessi, Luciano Gallino, Claudio Gorlier, Filippo Maone, Diego Marconi, Franco Marenco, Cesare Pianciola, Tullio Regge, Marco Revelli, Fabrizio Rondolino, Gianni Rondolino, Franco Rositi, Lore Terracini, Gian Luigi Vaccarino), to renowned contributors who have expressly written for the review, such as, among others, Norberto Bobbio, Franco Fortini, Aldo Natoli, Cesare Garboli, Claudio Magris, Vittorio Foa, Carlo Dionisotti, Salvatore Settis, Cesare De Seta, Sebastiano Timpanaro, Edoardo Sanguineti, Maria Corti, Cesare Segre, Alessandro Galante Garrone, Stefano Rodotà, Francesco Orlando, Carlo Ginzburg, Giulio Angioni, Paolo Nori, Enzo Collotti, Adriano Prosperi, Marcello De Cecco, Massimo D'Alema, Luciana Castellina.
• He helped decorate the Palazzo Cecchi near the Villino Favard; the facade in graffito for the Palazzo of Prince Corsini in Corso de'Tintori; the great hall of the Villino Lemmi in Via della Scala, and in this same Villino, several ceilings in chiaroscuro, in a diversity of styles baroque, Gothic, Pompeian, and fantasy; several ceilings in the first floor of Palazzo Crispi in Via della Scala.
• The trans-Andean railway, whose construction began in 1905, was funded by Porfirio Ahumada, a Chilean national, and his partners Corsini, Carlos Viel (engineer), Martin Worman and Horacio del Río.

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