Definition, Betydelse, Synonymer & Anagram | Engelska ordet CREEPY

Definition av CREEPY

1. krypande, krälande
2. (vardagligt) läskig, kuslig, skräck-

Exempel på hur man kan använda CREEPY i en mening

• The evil clown, also known as the creepy clown, scary clown or killer clown (if their character revolves around murder), is a subversion of the traditional comic clown character, in which the playful trope is instead depicted in a more disturbing nature through the use of horror elements and dark humor.
• Bereft even of reverb, leaving their sound as dry as old bones dug up from some desert burial plot, the finished music's brutish force would so alarm the critics they would punish Sabbath in print for being blatantly thuggish, purposefully mindless, creepy, and obnoxious.
• Secondary characters include homeroom teacher Yukari Tanizaki, her friend, physical education teacher Minamo "Nyamo" Kurosawa, and the creepy classical literature teacher Kimura.
• The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, horror, drama, tension, and paranoia of the setting and plot and to provide an overall creepy, unpleasant, unsettling, or distressing atmosphere.
• Also in this episode, Marshall's creepy English teacher is called Miss Annabel Lee, a reference to the morbid Edgar Allan Poe poem of the same name.
• Troy Patterson, a critic for Entertainment Weekly, gave it B+, calling it "an expressive mood piece creepy with cosmopolitan paranoia and bracingly somber bombast".
• "If you’ve ever heard of George Mason University economist Robin Hanson, there’s a good chance it was because he wrote something creepy", Slate columnist Jordan Weissman wrote in 2018.
• The rich, dizzying tunes incorporate graveyard fright noises, bizarre piano sounds and creepy sci-fi whistles into traditional, orchestrated Fiddler on the Roof-style melodies.
• It was described by Tracy Moore in Vanity Fair as a "gothy, somber ode", and by Tyler Jenke of Tone Deaf as "rather creepy".
• The New Yorker called the film "a social thriller—a creepy, tightly knit suspense film that, on the fly, reveals more about the lives of immigrants in London than the most scrupulously earnest documentary".
• From 1962 he was an actor in Sweden's prominent Royal Dramatic Theatre, where he came to perform a number of much celebrated parts: his eccentric Hitler in Schweik in the Second World War by Bertolt Brecht (1963), Estragon in the legendary 1966 Dramaten-staging of Samuel Beckett's Waiting for Godot, Thersites in Shakespeare's Troilus and Cressida 1967, Orgon in Molière's Tartuffe 1971, Hjalmar Ekdahl in Ingmar Bergman's 1972 production of Ibsen's The Wild Duck, Nero in Jean Racine's Britannicus (1974), a spot-on portrayal of August Strindberg in play Tribadernas natt (The Night of the Tribades) by Per Olov Enquist, the title role in Richard III by Shakespeare (1980) and the extremely creepy – and slightly perverted – boss Sven in VD ("CEO") by Stig Larsson in 1985, among others.
• The series features a group of thirty-four anthropomorphic peas, and most of their names not only refer to their jobs and main characteristic traits (similar to The Smurfs), but are also plays on words (typically "pea" sounding like "-py", such as "Bump-Pea" sounding like "bumpy", "Chip-Pea" sounding like "chippy" and "Creep-Pea" sounding like "creepy").
• Lane lives in a suburban development with his mother, Jenny, a ditzy housewife who routinely concocts creepy (and creeping) family meals; his genius little brother, Badger, who never speaks but at the age of "almost 8" can build powerful lasers and attract trashy women from "How-to" books; and his lawyer father, Al, who daily tries to stop the menacing paperboy, Johnny, from breaking his garage door windows with thrown newspapers.
• Critics from such publications as Entertainment Weekly and TV Guide applauded a trio of sketches in which Thomas impersonated notable personalities in absurdist situations -- Edward Woodward as his Equalizer character reimagined as "the Humiliator" (who uses insults rather than guns to incapacitate criminals), Jack Palance miscast as a creepy sitcom star (who still uses his catch-phrase from Ripley's Believe it or Not!), and Max von Sydow as a depressed barber who inadvertently terrorizes his customers by chatting casually about his obsession with death.
• The topical animated series is dark and unafraid to tackle taboo subjects such as paedophilia, taking us to Cruel Britannia, a creepy place where the public are hoodwinked by arrogant politicians and celebrities.
• Ouimet's illustrations of creepy, bipedal, fez-capped insect creatures (usually wielding scimitars or smoking hookahs) appeared on Motherhead Bug's singles and album, and he has continued his career as an illustrator with Robert D.
• Nev Pierce from BBC awarded the film three out of five stars, while noting the film had its faults, Pierce called it "A creepy, authentically nasty little horror film".

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