Anagram & Information om | Engelska ordet CUICA

Exempel på hur man kan använda CUICA i en mening

• Its folk music can be characterized by a melancholy sound, and Portuguese influences, as well as the predominance of the zambomba drum (similar to Brazilian cuica), which is played by pulling on a rope which is inside the drum.
• Blue Man - airpoles, anvil, backpack tubulum, big drum, cimbalom, cuica, dogulum, drumulum, dulcimer, dumpster, mandeldrums, mellotron cello, paddle tubulum, percussion, piano smasher, PVC instrument, tubulum, 1981 casiotone and kazoo.
• Mike Dillon - vibraphone (2, 5, 9, 12), metal drum (2), percussion (2), tabla baya (3), pandeiro (3), electric bow & arrow (4), metal sounds (4), cuica (5), marimba (7, 10, 11), metal (9), tabla (12).
• Baptista plays alfaia, agogo bells, apito, bandora, bass drum, bell tree, berimbau, bongos, bottles, Chinese bells, cabasa, caja, caxixi, clay drum, conga, cowbell, cuica, cymbals, drums, finger cymbals, gong, kalimba, maracas, mark tree, pandeiro, rototom, repinique, shaker, shekere, snare drum, surdo, triangle, tabla, talking drum, tamborim, tambourine, temple block, timbales, tom-toms, udu, washboard, water gong, waterphone, whistle, and wood block.
• Vasconcelos played congas, berimbau, gourd, triangle, drums, cymbals, repique, tambourine, gong, caxixi, talking drum, cuica, shaker, palmas, pandeiro, zabumba, udu, cabasa, prato, tambor, hi-hats, bells, water drum, vibraphone, güiro, ganza, cowbell, tabla, xequere, Turkish drum, repique, surdo, shells, African bells, agogo bells, clay pot, timpani, snare drum, flexatone, Tibetan gong and other assorted percussion.
• Mauro Refosco — dumbek, percussion, conga, repique, surdo, cuica, shaker, tambur, loop, and Native American drums.
• Colin Allen – drums, congas, tambourine, castanets, cabasa, wood block, gong, timpani, handclaps, flexatone, cuica.
• Acoustic percussion: drum kit, bass drum, tambourine, maracas, conga, tabla, timbales, triangle, darbouka, djembe, cowbell, xylophone, bells, calabash, mbira, shaker, cabassa, cuica.
• It is scored for a choir of minimum 54 voices, out of which 8 must be soloists as well; a very large percussion section, which should consist of a berimbau, caxixi, bongos, guataca, okónkolo, maracas, congas, shekere, itótele, bombo legüero, bass drum, timpani, bell, guiro, gua gua, cuica, quinto, surdo cortador, surdo resposta, surdo marcaçao, repnique, chimes, wind chimes, tamtam, tambourine, sea shells, spring drum, iyà, and cymbal; the rest of the Orquesta La Pasión, consisting of a guitar, a tres, an accordion, a piano, a cajón, a contrabass, and sound effects; finally, a last section which should consist of two trumpets in C, two trombones, 12 violins, 12 cellos, and 4 basses.
• " The Star-Ledger determined that the songs were "a reference manual for world-beat percussion," noting that "the instrumentation on 'Porch Light' alone includes daiko drum, djun-djun, cuica, congas, berimbaus, rubber band sticks, cabasa, gong, heco-heco and pandeiro.
• 2 Percussionists: 3 (or 4) cymbals (crash, splash and ride cymbal + sizzler chain, or fourth sizzler cymbal), snare drum, hi-hat and bass drum with pedal (also with mallet); finger cymbals, Chinese C opera gong, wind chimes, LP one-handed triangle, triangle (hanging); samba whistles, cuica, lotus flute (slide whistle); afuche, claves, guiro, shakers, maracas, rainmaker; whip, ratchet, vibraslap, castanets, 4 temple blocks, 2 agogô, 2 cow bells; bongos, congas; old drum or frame drum, 2 ocean drums, tambourine; vibraphone (f-f3), xylophone (f1-c5).
• Barry Altschul – drums, wood block, cymbal, cuica, waterphone, bells, shaker, whistling, cowbell, percussion.

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