Information om | Engelska ordet FIFTHS

Exempel på hur man kan använda FIFTHS i en mening

• For instance, the seven natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F:.
• The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2:1).
• Meantone temperaments are musical temperaments; that is, a variety of tuning systems constructed, similarly to Pythagorean tuning, as a sequence of equal fifths, both rising and descending, scaled to remain within the same octave.
• Following the 12th-century Norman invasion of Ireland, the historic "fifths" of Leinster and Meath gradually merged, mainly due to the impact of the Pale, which straddled both, thereby forming the present-day province of Leinster.
• Monk's compositions and improvisations feature dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations.
• The president, as the head of state, is the supreme commander of the Armed Forces, has the power to veto legislation passed by parliament, which may be overridden by a majority of three fifths, and can dissolve the parliament under certain conditions.
• Starting with no sharps or flats (C major), adding the first flat (B) indicates F major; adding the next (E) indicates B major, and so on, backwards through the circle of fifths.
• The difference between four justly tuned perfect fifths, and two octaves plus a justly tuned major third.
• MacNeill enumerates the five earliest fifths mentioned, these comprising the kingdoms of Ulster, Connacht, Munster, Tara (North Leinster) and Dinn Riogh (South Leinster), located on the Barrow.
• When an instrument with only twelve notes to an octave (such as the piano) is tuned using Pythagorean tuning, one of the twelve fifths (the wolf fifth) sounds severely discordant and can hardly be qualified as "perfect", if this term is interpreted as "highly consonant".
• Julián Carrillo – Preludio a Colón, for soprano in fifths of a tone, flute, violin, and guitar in quarter tones, octavina in eighth tones, and harp in sixteenth tones.
• When the twelve notes within the octave of a chromatic scale are tuned using the quarter-comma meantone systems of temperament, one of the twelve intervals apparently spanning seven semitones is actually a diminished sixth, which turns out to be much wider than the in-tune genuine fifths,.
• The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.
• A three-key harp in the circle of fifths, such as a GDA, is often called a festival or campfire harp, as the instrument can easily accompany fiddles around a campfire or at a festival.
• Twelve-tone equal temperament tuning divides each octave into twelve equivalent semitones, and the circle of fifths leads to a C seven octaves above the starting point.
• Among its contents was a treatise by Leonel Power that prohibited consecutive unisons, fifths, and octaves; the last page is inscribed with his name.
• "I'd play a load of chords and I'd have to play fifths because I couldn't play fourths because of my fingers," Iommi explained to Phil Alexander in Mojo in 2013.
• In medieval music, only chords made of octaves and perfect fifths (involving relationships among the first three harmonics) were considered consonant.
• However, Sacred Harp songs are quite different from "mainstream" Protestant hymns in their musical style: some tunes, known as fuguing tunes, contain sections that are polyphonic in texture, and the harmony tends to deemphasize the interval of the third in favor of fourths and fifths.
• Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete repetitions, and isorhythmic tendencies of Plains-Pueblo music.

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