Definition & Betydelse | Engelska ordet FLAMENCO

Definition av FLAMENCO

1. flamenco

Exempel på hur man kan använda FLAMENCO i en mening

• However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage.
• At fourteen he was playing in the "cafes cantantes," in the heyday of flamenco singing and dancing, for such artists as Antonio de Bilbao, Juan el Estampío, La Macarrona and La Camisona in Madrid, Spain.
• For example, music from the north-west regions is heavily reliant on bagpipes, the jota is widespread in the centre and north of the country, and flamenco originated in the south.
• The first, up to 1985, was essentially as a synthpop band, while in the second stage Mecano followed a more acoustic pop rock direction, with elements of ballad, dance, flamenco, bossa nova, tango, salsa, rumba flamenca, bolero, pasodoble, and even reggae.
• María Rosario Pilar Martínez Molina Baeza, professionally known by her stage name Charo, is a Spanish-born actress, singer, comedian, and flamenco guitarist who rose to international prominence in the 1960s on American television, as well as starring in several films.
• Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain.
• The band, whose members have Catalan heritage, play a blend of Catalan rumba, flamenco, salsa, and pop.
• This led to calls from professional flamenco companies in Madrid and the Costa Brava, where Peña established himself as a highly regarded accompanist to flamenco dance and singing.
• His parents are José Bisbal, a professional boxer who was Spanish national Bantamweight and Featherweight champion and part of a trio of flamenco musicians, and Maria Ferre Montoya.
• Examples include rhumba, Afro-Cuban jazz, salsa, soukous, many West African re-adaptations of Afro-Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America.
• This flexibility has enabled boleros to feature in the repertoire of Cuban son and rumba ensembles, as well as Spanish copla and flamenco singers, since the early 20th century.
• McLaughlin studied violin and piano as a child and took up the guitar at the age of 11, exploring styles from flamenco to the jazz of Tal Farlow, Django Reinhardt and Stéphane Grappelli.
• On their following albums Azúcar Moreno widened their repertoire as they combined original material sung in their typical flamenco vocal style with traditional folk songs like the Chilean "Yo Vendos Unos Ojos Negros", the Italian "'O sole mio" and the Hebrew "Hava Nagila", influences from other Latin and Caribbean genres like rhumba, mambo, bolero, merengue, reggaeton, salsa and dancehall, as well as Spanish language versions of rock and pop classics like the Rolling Stones' "Paint It, Black", Jackie Wilson's "(Your Love Keeps Lifting Me) Higher and Higher" and The Animals' "Don't Let Me Be Misunderstood".
• It was from Pedrell, during the Madrid period, that Falla became interested in the music of his native Andalusia, particularly Andalusian flamenco (specifically cante jondo), the influence of which can be strongly felt in many of his works.
• Awakening was a collaboration with Julio Garcia produced in Madrid, Spain and features 'Loving Kindness' track, on which Yungchen is joined by flamenco legend Carmen Linares.
• His follow-up, Os amores libres, included more fusions with flamenco, Celtic music (especially Breton) and Berber music.
• While regionally emblematic to Aragon, the Jota is also danced in most regions of Spain, unlike for instance flamenco which until recently was uniquely regional to Andalucia and some neighbouring areas.
• Mike Oldfield – acoustic guitars, twelve-string guitar, banjo, classical guitar, electric guitar, bass guitar, flamenco guitar, glockenspiel, Lowrey organ, Hammond organ, Farfisa organ, mandolin, percussion, piano, synthesisers, timpani, tubular bells, vocals.
• An instrumental adaptation of the farruca was developed by guitarist Ramón Montoya and flamenco dancer Faíco in the 20th century.
• According to his biographer Alfonso Rodríguez, Camarón said: "If they don't know anything about flamenco, what am I going to sing for them?" Mick Jagger called him several times and offered him a lot of money, but Camaron preferred to stay in Andalusia and not complicate his life.

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