Definition & Betydelse | Engelska ordet FUGUE

Definition av FUGUE

1. (musik) fuga

Exempel på hur man kan använda FUGUE i en mening

• A fugue usually has three main sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue's tonic key.
• After recovery from a fugue state, previous memories usually return intact, and further treatment is unnecessary.
• Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal.
• He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
• In 1920 Duruflé entered the Conservatoire de Paris, eventually graduating with first prizes in organ with Eugène Gigout (1922), harmony with Jean Gallon (1924), fugue with Georges Caussade (1924), piano accompaniment with César Abel Estyle (1926) and composition with Paul Dukas (1928).
• The Ricercar a 6, a six-voice fugue which is regarded as the high point of the entire work, was put forward by the musicologist Charles Rosen as the most significant piano composition in history (partly because it is one of the first).
• Sechter was also a composer, and in that capacity he is mostly remembered for writing about 5,000 fugues (he tried to write at least one fugue every day), but he also wrote masses and oratorios.
• Piston was admitted to Harvard College in 1920, where he studied counterpoint with Archibald Davison, canon and fugue with Clifford Heilman, advanced harmony with Edward Ballantine, and composition and music history with Edward Burlingame Hill.
• He enrolled at the Liceo Musicale di Bologna in the following year, studying the violin and viola with Federico Sarti and organ, counterpoint, and fugue with Cesare Dall'Olio.
• During the Middle Ages, Renaissance, and Baroque—that is, through the early 18th century—any kind of imitative musical counterpoints were called fugues, with the strict imitation now known as canon qualified as fuga ligata, meaning "fettered fugue".
• It represents the spectacular emergence of many of the themes that were to recur in Beethoven's late period: the reinvention of traditional forms, such as sonata form; a brusque humour; and a return to pre-classical compositional traditions, including an exploration of modal harmony and reinventions of the fugue within classical forms.
• In 1925, Anderson entered Harvard College, where he studied musical harmony with Walter Spalding, counterpoint with Edward Ballantine, canon and fugue with William C.
• Likewise, the composers' second fugues (A minor for Shostakovich, C minor for Bach) utilize very similar opening rhythms for their fugue subjects (two 16th notes followed by 3 eighth notes, twice in a row).
• et vitam venturi simply as "a masterpiece", and Fétis was no less effusive — apparently, what impressed all his mentors was his use of sophisticated harmonies, counterpoint and fugue with minimal or no formal instruction.
• A fugue based on the following subject, which contains (bars 2–3) the second tetrachord of the harmonic minor scale, the unifying motif of Beethoven's last string quartets:.
• Today, the archive amounts to almost 400 compositions, the major part of which are works for piano (around 200), but also significant opuses for symphony orchestra (symphonic poems "In the Forest" and "The Sea", symphonic overture "Kęstutis", cantata for choir and orchestra "De Profundis"), string quartet, fugue "Kyrie", works like "Sanctus", "Agnus Dei", "Let's not be sad" ("Neliūskime"), works for various choirs (original compositions and Lithuanian folk song arrangements (around 40)), as well as works for organ.

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