Anagram & Information om | Engelska ordet KRATER

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• 570 BC—The François Vase, a volute krater with black figure decoration, is made by a pair of Greek craftsmen: the potter Ergotimos and the painter Kleitias.
• Some were highly decorative and meant for elite consumption and domestic beautification as much as serving a storage or other function, such as the krater with its usual use in diluting wine.
• Exekias, however, is the only member of the Group who signed his products which suggests that Exekias may have been responsible for the development of such vessel shapes as the Type A cup, the Type A belly amphora and the calyx krater.
• Do the frequent depictions of the symposium, a definite upper-class activity, reflect the painters' personal experience, their aspirations to attend such events, or simply the demands of the market? A large proportion of the painted vases produced, such as psykter, krater, kalpis, stamnos, as well as kylikes and kantharoi, were made and bought to be used at symposia.
• In fact, Homer's Odyssey describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups.
• Typically, wine was cooled by the addition of chilled water or snow-ice to wine in a krater, and that method pre-dated and outlasted the psykter.
• The uppermost frieze, on the neck of the krater, depicts on side A the Calydonian boar hunt, including the heroes Meleager, Peleus, and Atalanta.
• Some of the innovations included some new Mycenean influenced shapes, such as the belly-handled amphora, the neck handled amphora, the krater, and the lekythos.
• mixing vessels, mainly for symposia or male drinking parties, including the krater, dinos, and kyathos,.
• The top part of the krater is decorated with motifs both ornamental (gadroons, palm leaves, acanthus, garlands) and figurative: the top of the neck presents a frieze of animals and most of all, four statuettes (two maenads, Dionysus and a sleeping satyr) are casually seated on the shoulders of the vase, in a pose foreshadowing that of the Barberini Faun.
• They included the famous krater (see below), a silver phiale (shallow bowl, sometimes seen as a local product), an Etruscan bronze oinochoe (wine jug), and several drinking cups from Etruria and Attica.
• For instance, Apulian potters take the volute krater and loutrophoros to new heights of fancy, making them far more elaborate than their Athenian forerunners.
• An identifying feature of volute kraters is the scroll like detail at the top of the handles, towards the mouth of the vessel, which is not present on the krater in the Tomb of the Diver.
• fragment of a loutrophoros P 15018 • hydria P 25101 • fragment of a stamnos P 25357 • fragment P 25357 A • fragment of a krater P 30017 • fragment of a bell krater P 30019 • fragment of a bowl CP 11948 • fragment of a lekythos P 30065 • fragment of a hydria P 30134 • fragments of a pelike P 8959.
• The vase is of calyx krater shape, with a high frieze carved with a Bacchic symposium and an everted rim, standing on a gadrooned base imitative of metalwork.
• There are also three calyx bowls with heavy rims, a tripod bowl with a leaf ornament performed in niello, a krater and a kantharos, as well as two-handled cups ornamented in repoussé and items dedicated to Bacchus.
• The olpe depicts a frieze with several komasts dancing around a krater; a second frieze shows Herakles fighting the Hydra.
• Found at Cerveteri and now on display in the Louvre, the front of the krater depicts Eurytus (Eurytos) feasting Herakles.
• The most common vessels shapes included pyxis, krater, hydria, amphora, pelike, jug, krateriskos, kantharos, chalice cup, kylix and lebes.
• Telamon, a friend of the demigod Herakles, is commonly thought of in reference to the myth where Telamon assists Herakles in killing the sea monster that Poseidon sends to destroy the city of Troy, rather than an amazonomachy like this krater depicts, however his presence then further solidifies the warfare theme as he is directly tied to another mythical battle.

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