Definition, Betydelse & Anagram | Engelska ordet LYRICS'

Definition av LYRICS'

1. böjningsform av lyric

Exempel på hur man kan använda LYRICS' i en mening

• Wallace became known for his distinctive laid-back lyrical delivery, offsetting the lyrics' often grim content.
• Valo compared the song to "Sweet Child o' Mine" by Guns N' Roses, singling out the lyrics' "no frills, self-ironic directness" as one of the song's best qualities.
• Paul Elliott commented on the lyrics' "positivity," exhorting people to look past their mundane life to "find deeper meaning".
• In his review for Creem, he said the music lacked the liveliness of Blues "All I Want" and the lyrics' insularity diminished her voice, but he ultimately regarded the album as a "remarkable work" and the year's aesthetically boldest record.
• " Spins Neil Kulkarni suggested that "the Roots have created perhaps rap's first melancholy masterpiece", noting "a downered, fragmented feel to the music that weaves through the lyrics' bleak resignation to instill real poignancy and effect.
• Already decaying and crumbling during the "golden age" of tango lyrics in the 1930s and 40s (because the urban upward mobile development had started to shift to the North) they supply much of tango lyrics' physical imagery (as repeatedly portrayed for example in backdrops for tango shows) with their cobblestone streets and facón-welding "compadritos" (toughs), urban landscape of "The South" evoqued specifically in such famous tango lyrics as "Sur", or Fernando Solanas film Sur.
• Hoffman's arrangement of the song is relatively straight, with Nomi using "his piercing voice to subvert the lyrics' smarmy, swinging-bachelor heteronormativity," according to a Pitchfork review.
• Writing for The Guardian in 2015, Ben Hewitt drew attention to the lyrics' apocalyptic nature, imagining Cohen "greedily eyeing world domination like a Bond villain".
• For drugs, lust, loss of control – who knows? The lyrics' almost-there English works to the song's benefit – there's an awkward poetry to "Call him Mr Raider, call him Mr Wrong" – and for once the obligatory rap isn't an embarrassment, with Jay Supreme's gloating, bassy flow reminding me of knowingly devilish Chicago house classics like "Your Only Friend".
• The words are unconventional, but the settings are average in a mid-'70s way, which dilutes the lyrics' impact, and makes this an unmemorable effort on the whole.
• It was selected as the ending theme song because the director of Ghost Messenger thought the lyrics' message, 'despite everything, live on', was in-line with the animation's theme and how Little Kanglim must experience inner growth as the story unravels.
• The Indiana Daily Student faulted the song's vocals as "Mates of State-esque" and "(unable to) pass the first round of American Idol", further stating that the "Yoko Ono-esque orgasmic shrieking" at the song's conclusion is "obnoxious", and that the lyrics' description of female sexual arousal is "yucky".

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