Anagram & Information om | Engelska ordet MEDIANT

Exempel på hur man kan använda MEDIANT i en mening

• This movement also contains mediant tonalities, such as the ending of the first section of the Scherzo proper, which is in C major, the flattened mediant, or the relative major of the parallel minor (A minor).
• A consequence of this was that the interval between the minor mode's already lowered third degree (mediant) and the newly raised seventh degree (leading note), previously a perfect fifth, had now been "augmented" by a semitone.
• On the other hand, in German theory derived from Hugo Riemann the mediant in major is considered the dominant parallel, Dp, and in minor the tonic parallel, tP.
• The submediant ("lower mediant") is named thus because it is halfway between the tonic and the subdominant ("lower dominant") or because its position below the tonic is symmetrical to that of the mediant above.
• In the other resolutions, the dominant remains stationary, the leading note and supertonic resolve to the tonic, and the subdominant resolves to the mediant.
• In a minor key, the closely related keys are the parallel major, mediant or relative major, the subdominant, the minor dominant, the submediant, and the subtonic.
• This may include the use of a motive in triplets to connect the first and second main groups of this sonata form; the second group opens, exactly as happens in the later-written String Quintet and similar to the technique in some works by Beethoven — not in the dominant key but with a quiet theme in the mediant, B-flat, with rhythm not quite the same as that of the lyrical theme that slowed matters down early on (bar fourteen, again), and adding to the texture with pizzicato accompaniment.
• That is to say, the numerator and denominator of the mediant are the sums of the numerators and denominators of the given fractions, respectively.
• Beethoven would later continue to use the mediant and submediant as expositional goals for major-key sonata-form movements, such as the first movements of the Waldstein and Hammerklavier sonatas, the Archduke trio, the triple concerto and the thirteenth string quartet, as well as the finale to the seventh symphony.
• As in the binary search technique for generating the Stern–Brocot tree, the Farey sequences can be constructed using mediants: the Farey sequence of order n + 1 is formed from the Farey sequence of order n by computing the mediant of each two consecutive values in the Farey sequence of order n, keeping the subset of mediants that have denominator exactly equal to n + 1, and placing these mediants between the two values from which they were computed.
• Theorists such as Allen Forte define chromatic mediants conservatively, only allowing chromatic mediant chords of the same quality (major or minor) as described above.
• The piece is, for lack of a better term, obsessed with a four-note motif presented at the beginning of the piece, and the work's tonal excursions into the mediant and submediant place the music procedurally somewhere between Schumann and Mahler.
• The mediant is the fraction between two fractions a/c and b/d whose numerator is the sum of the numerators, a+b, and whose denominator is the sum of the denominators, c+d.

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