Anagram & Information om | Engelska ordet OPERETTAS


OPERETTAS

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Exempel på hur man kan använda OPERETTAS i en mening

  • Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas.
  • He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera The Tales of Hoffmann.
  • Born in Marseille, France, to Désirée Bedouin and Denis Contandin, originating in Perosa Argentina, a town located in the province of Turin, Italy, he became a comedy star, first gaining popularity in French vaudeville, operettas, and music-hall revues.
  • He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet.
  • He began studying the piano at the age of 11 and at age 16 went to Paris where he performed on stage, singing extracts of traditional operettas and lovesongs.
  • Hammerstein, a co-writer of the popular Rudolf Friml 1924 operetta Rose-Marie, and Sigmund Romberg operettas The Desert Song (1926) and The New Moon (1928), began a successful collaboration with composer Jerome Kern on Sunny (1925), which was a hit.
  • Several of Planquette's operettas were extraordinarily successful in Britain, especially Les cloches de Corneville (1878), the length of whose initial London run broke all records for any piece of musical theatre up to that time.
  • A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
  • Then, she participated on stage in Spanish zarzuelas such as “El Caserío”, and “Black el Payaso”; operettas, such as “La duquesa del Bal Tabarin”, and musicals performed in English, such as “My Fair Lady”, “The Sound of Music” and “I Do, I Do”.
  • Its elaborate settings were appropriated by the 'straight', or dramatic, theatre, through their use in comic operettas, burlesques, pantomimes and the like.
  • For the Shuberts, he also adapted several European operettas for American audiences, including the successful Maytime (1917) and Blossom Time (1921).
  • It "was a radical departure in musical storytelling, marrying spectacle with seriousness", compared with the trivial and unrealistic operettas, light musical comedies and "Follies"-type musical revues that defined Broadway in the 1890s and early 20th century.
  • It opened on 2 May 1869 as the Folies Trévise, with light entertainment including operettas, opéra comique (comic opera), popular songs, and gymnastics.
  • During the war, Graham started to write lyrics for English operettas and musical comedies, including Tina (1915), Sybil (1916), the 1917 hit operetta The Maid of the Mountains and A Southern Maid (1920), and English adaptations of European operettas such as Whirled into Happiness (1922), Madame Pompadour (1923), The Land of Smiles (1931) and many others.
  • After The Firefly, Friml produced three more operettas that each had longer runs than The Firefly, although they are not as enduringly successful.
  • It was the first of a series of modern escapist, lightweight operettas and glittering revue-style entertainments which quickly made Rökk one of Germany's most popular actresses.
  • She wrote more than fifty stage pieces in an array of genres: melodramas, pantomimes, farces, comic operettas, historical dramas, and adaptations, as well as translations.
  • From her teens through her thirties, before she turned to writing full-time, she pursued musical avocations: piano lessons, voice training and performance, and assisting in amateur production of musicals and operettas.
  • From 1909, he wrote Kabarett sketches and librettos for operettas, often collaborating with Julius Brammer.
  • She has also appeared in operettas, singing the title role in Franz Lehár's The Merry Widow at Glyndebourne, as well as Rosalinde in Die Fledermaus and the title roles in Offenbach's La belle Hélène and La Grande-Duchesse de Gérolstein.


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