Anagram & Information om | Engelska ordet OSMIN

Exempel på hur du använder OSMIN i en mening

• He sang several more roles with NYCO through 1967, including Collatinus in The Rape of Lucretia, the Commandant in Don Giovanni, the Major-Domo in Capriccio, Osmin in Mozart's Abduction from the Seraglio, and Tiresias in Oedipus rex among others.
• 2007: Spring: Die Entführung aus dem Serail (The Seraglio) by Mozart with Sion Goronwy as Osmin and Elizabeth Donovan as Constanza; and Spirit of Vienna (Wiener Blut) by Johann Strauss with Cheryl Enever as Franziska (Franzi) Cagliari and Nicky Spence as Count Balduin Zedlau.
• Some of his most celebrated roles were Wagnerian villains such as Hunding and Hagen in Der Ring des Nibelungen, but others were noble characters like Sarastro in The Magic Flute or Gurnemanz in Parsifal or comic figures such as Osmin in Die Entführung aus dem Serail or Falstaff in The Merry Wives of Windsor.
• 1990 – Guy de Mey (Ali), Lynne Dawson (Rezia), Catherine Dubosc (Dardané), Sophie Marin-Degor (Amine), Claudine Le Coz (Balkis), Jean-Luc Viala (Osmin), Guy Flechter (Le Sultan d'égypte), Jean-Philippe Lafont (Vertigo), Gilles Cachemaille (Le calender), Francis Dudziak (La chef de Caravane) – Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner – 2 CDs Erato (world première recording; in cooperation with MusiFrance and Radio France).
• His most famous roles included Sarastro, Osmin, Falstaff, Don Pasquale, Dulcamara, Don Basilio, Don Bartolo, Don Alfonso, Leporello, Don Magnifico, Boris Godunov, Gremin, Varlaam, Gianni Schicchi, Philip II, Banquo, Attila, Pagano, Fiesco, Mephistofeles, Bluebeard etc.
• His most famous roles were King Philip (Don Carlo), Fiesco (Simon Boccanegra), Osmin (Die Entführung aus dem Serail), Sarastro (Die Zauberflöte), Leporello (Don Giovanni), König Marke (Tristan und Isolde), Pogner (Die Meistersinger von Nürnberg), Boris Godunov, Basilio (Il barbiere di Siviglia), Gremin (Eugene Onegin) and Baron Ochs (Der Rosenkavalier).
• His other roles included from the German repertoire: Osmin (Die Entführung aus dem Serail), Sarastro (The Magic Flute), Fafner, Hunding and Hagen (Der Ring des Nibelungen), Daland (Der Fliegende Holländer), Rocco (Fidelio), Count Waldner (Arabella), and his best-known part, Baron Ochs in Der Rosenkavalier, which he studied in Vienna with Alfred Jerger, who had sung the role under the composer.
• Osmin informs the qalandar that Ali's lover is Rezia and solicits his help in letting the couple escape.
• From 1902, Belhomme appeared each season at the Théâtre de la Monnaie in Brussels, as Osmin in Die Entführung aus dem Serail (in French) and the devil in Grisélidis in 1902, Doronte in Attendez-moi sous l'orme in 1903, the sacristan in Tosca in 1904, the vicar in Pepita Jiménez and the Duc de Longueville in La Basoche in 1905, Brander in La damnation de Faust and a soldier in The Trojans in 1906, Kezal in La fiancée vendue and a Jew in Salomé in 1907.
• He appeared frequently with the NYCO for the next 25 years, portraying such roles as Marquis de Cascada in The Merry Widow (1957), Zuniga in Carmen (1957), Osmin in Die Entführung aus dem Serail (1957, 1966, 1969), Pooh-Bah in The Mikado (1958, 1961), Frank in Die Fledermaus (1959), the Sergeant of Police in The Pirates of Penzance (1960, 1964), Bartolo in The Marriage of Figaro (1962), Shadbolt in The Yeomen of the Guard (1964), Lindorf, Coppelius and Dr.
• In later seasons he has incorporated roles such as Lord Sidney (Il Viaggio a Reims conducted by Alberto Zedda in an Emilio Sagi production at the Rossini Opera Festival in Pesaro), Oroveso (Norma), Frère Laurent (Roméo et Juliette), Osmin (Die Entführung aus dem Serail), Pirro (I Lombardi), Banquo (Macbeth), Frate (Don Carlo), Oroe (Semiramide) and Caronte (L’Orfeo).

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