Anagram & Information om | Engelska ordet OSSIA

Exempel på hur man kan använda OSSIA i en mening

• Ornitologia Toscana, ossia descrizione e storia degli uccelli che trovansi nella Toscana con l'aggiunta delle descrizioni di tutti gli altri propri al rimanente d'Italia, 3 volumi (Pisa, Dalla tipografia Nistri 1827-1831).
• During this period he wrote ten operas which were Elisabetta, regina d'Inghilterra (1815), La gazzetta, Otello, ossia il Moro di Venezia (1816), Armida (1817), Mosè in Egitto, Ricciardo e Zoraide (1818), Ermione, Bianca e Falliero, Eduardo e Cristina, La donna del lago (1819), Maometto II (1820), and Zelmira (1822).
• The most complete manuscript, and the one that is supposed to be more closely related to the original manuscript, is the one found by Carlo Amoretti inside the Biblioteca Ambrosiana, Milan and published in 1800 (Primo viaggio intorno al globo terraqueo, ossia ragguaglio della navigazione alle Indie Orientali per la via d'Occidente fatta dal cavaliere Antonio Pigafetta patrizio vicentino, sulla squadra del capitano Magaglianes negli anni 1519-1522).
• Il divorzio senza matrimonio ossia La donna che non parla (libretto by Gaetano Sentor, opera buffa, 1794, Modena).
• Un giorno di regno, ossia Il finto Stanislao (A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day) is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani.
• Jonson's comedy had been used before as the basis for an opera: in 1800 Antonio Salieri's Angiolina ossia Il Matrimonio, and in 1810 Stefano Pavesi wrote the opera Ser Marcantonio which in turn formed the basis for Donizetti's Don Pasquale with characters based upon the Commedia dell'arte (thus Morose becomes Don Pasquale who is based on Pantalone).
• Nicolò Gabrielli was a very prolific composer, and from 1835 onwards worked at many melodramas, opera buffas, commedias and farsas, including La lettera perduta (1836), Il Cid (1836), La parola di matrimonio (1837), L'americano in fiera ossia Farvest Calelas (1837), Vinclinda (1837), L'affamato senza danaro (1839), Edwige o Il sogno (1839), Il padre della debuttante (1839), La marchesa e il ballerino (1839), Nadan o L'orgoglio punito (1839), L'assedio di Sciraz ossia L'amor materno (1840), Basilio III Demetriovitz (1841), Il bugiardo veritiero (1841), Il condannato di Saragozza (1842), La zingara (1842), Carlo di Rovenstein (1843), L'assedio di Leyda (1843), Sara ovvero La pazza delle montagne di Scozia (1843), Il gemello (1845), Una passeggiata sul palchetto a vapore verso Capri (1845), Giulia di Tolosa (1846), Il vampiro (1848), Bradamante e Ruggero (1849), Fiorina (1849), La regina delle rose (1850).
• This arose from its third movement which contains nine variations on a theme from the then popular dramma giocoso L'amor marinaro ossia Il corsaro (15 October 1797, Wiener Hoftheater) by Joseph Weigl.
• Franz Liszt's piano transcription of Hector Berlioz's Symphonie fantastique contains, in an ossia (optional replacement measure) in the finale, a glissando in sixths played upward with the right hand.
• He published his edition of Pigafetta in 1800 under this most formidable title Primo viaggio intorno al globo terracqueo ossia ragguaglio della navigazione alle Indie orientali per la via d'occidente fatta dal cavaliere Antonio Pigafetta patrizio vicentino sulla squadra del capit.
• Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) by Gioachino Rossini to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry.
• Amongst the productions Capecchi directed were The Daughter of the Regiment at New York City Opera (1985), Così fan tutte in Susa, Italy (1978), and the US premiere of Giuseppe Gazzaniga's Don Giovanni Tenorio, ossia Il convitato di pietra with the San Francisco Opera Merola Opera Program, in Saratoga, California (1977).
• La statua matematica (music by Giovanni Valentini, 1780; music by Luigi Caruso under the title L'antiquario burlato ossia La statua matematica, 1786).
• L’occasione fa il ladro, ossia Il cambio della valigia (English: Opportunity Makes a Thief, or The Exchanged Suitcase) is an opera (burletta per musica or farsa) in one act by Gioachino Rossini to an Italian libretto by Luigi Prividali, based on Le prétendu par hasard, ou L’occasion fait le larron, an 1810 vaudeville by Eugène Scribe.
• Ciro in Babilonia, ossia La caduta di Baldassare (Cyrus in Babylon, or The Downfall of Belshazzar) is an azione sacra in two acts by Gioachino Rossini with a libretto by Francesco Aventi.
• He wrote the Ortografia sarda nazionale, ossia grammatica della lingua loguderese paragonata all'italiana (1840), in an attempt to find a single and unified orthography for the Sardinian language: the book, following the classification of the Italian Francesco Cetti, proposed the division of Sardinian into four dialects and a unified writing form based on Logudorese, an umbrella for a group of dialects spoken in villages (biddas) like Bono, Bonorva, Bosa, Ghilarza, Macomer, Ozieri, Ploaghe and Sennori.
• Among the more advanced features of Overture which are not included in Score Writer are: cross-staff and feathered beaming; graphic view MIDI editing (although MIDI data can be edited on-score); automatic and customised guitar tablature; video playback and SMPTE time code insertion into the score; compatibility with VST and the Amadeus Symphonic Orchestra instrument library; custom engraver spacing; ability to hide individual staves; and ossia staves.
• Femio, ossia La musica custode della fede maritale, cantata for three voices and orchestra, text by Francesco Boaretti, Venice, 1791.
• During this period he wrote ten operas which were Elisabetta, regina d'Inghilterra (1815), La gazzetta, Otello, ossia il Moro di Venezia (1816), Armida (1817), Mosè in Egitto, Ricciardo e Zoraide (1818), Ermione, Bianca e Falliero, Eduardo e Cristina, La donna del lago (1819), Maometto II (1820), and Zelmira (1822), many premiered at the San Carlo.
• Li muti per amore ossia La schiava fedele (farsetta, libretto by Marcello Bernardini, 1786, Florence).

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