Anagram & Information om | Engelska ordet PERDU

Exempel på hur man kan använda PERDU i en mening

• November 13 – Marcel Proust's Swann's Way (Du côté de chez Swann), volume 1 of In Search of Lost Time (À la recherche du temps perdu), is published by Éditions Grasset in Paris at the author's expense.
• Simon's use of self-consciously long sentences (often stretching across many pages and with parentheses sometimes interrupting a clause which is only completed pages later) can be seen to reference Proust's style, and Simon moreover makes use of certain Proustian settings (in La Route des Flandres, for example, the narrator's captain de Reixach is shot by a sniper concealed behind a hawthorn hedge or haie d'aubépines, a reference to the meeting between Gilberte and the narrator across a hawthorn hedge in Proust's À la recherche du temps perdu).
• Cabourg is the model for Balbec, the fictional seaside town in Marcel Proust's À la recherche du temps perdu.
• Combray is the title of the first part of the first volume of À la recherche du temps perdu, titled Du côté de chez Swann (Swann's Way).
• Rolfe), Aldous Huxley, Samuel Beckett, the "unfinished" novel Weir of Hermiston (1896) by Robert Louis Stevenson, and the first translation into English of Marcel Proust's novel À la recherche du temps perdu (Remembrance of Things Past, C.
• During that period, she played La Duchesse de Guermantes in a stage adaptation of Marcel Proust's A la recherche du temps perdu (Remembrance of Things Past) entitled A Waste of Time, in which Rupert Everett and Gary Oldman were also in the cast.
• He is also thought to have pioneered puppet animation in 1910, pixilation in 1911 and to have started the first animated series in 1916 with La journée de Flambeau (also known as Flambeau, chien perdu).
• The writers and dandies Charles Baudelaire and Jules Barbey d'Aurevilly also had some influence, but the most important model was the notorious aristocratic aesthete Robert de Montesquiou, who was also the basis for Baron de Charlus in Marcel Proust's À la recherche du temps perdu.
• One of his more enigmatic songs is a three-voice rondeau, "Las, j'ay perdu mon espincel", in which the upper voices, the superius and the tenor, are fully written out, but the contratenor is left blank.
• She notes that the French call French toast and French fries by other names (pain perdu and pommes allumettes respectively).
• To this period belong the numerous ballet scores for Petit and Maurice Béjart, namely: Haut-voltage (1956), Contrepointe (1958), Cyrano de Bergerac (1959), Éloge de la folie (1966) and Paradis perdu (1967).
• Haussmann, as a whole, also serves to display the depth of La Farge's scholarship into the period of the Second Empire as well as his playfulness with language (the putative front page of the 1922 work indicates that it was issued "à Paris, chez les Éditions de cire perdu", or by "the Paris Publishing House of Lost-Wax Casting").
• Elvira Popescu also played in movies, such as La Présidente (Fernand Rivers, 1938), Tricoche et Cacolet (Pierre Colombier, 1938), Ils étaient neuf célibataires (Sacha Guitry, 1939), Paradis perdu (Abel Gance, 1940), Austerlitz (Abel Gance, 1960), and Purple Noon (René Clément, 1960).
• 1995, Ruhrgebiet, Beat Furrer, Studie II – A un moment de terre perdu (Klangforum Wien, Peter Rundel).
• A conservative estimate of two million words made it quite unpublishable as a single work (for comparison: Marcel Proust's A la recherche du temps perdu – a work Wheldon revered – is around a million words).
• On nous a successivement volé notre indépendance nationale, puis nos libertés et franchises provinciales, on a violé sans cesse le traité de 1532 qui assurait à notre pays ces libertés et ces franchises avec le privilège d'un Parlement et le droit de porter sur ses armes, à défaut de la couronne fermée, le bonnet d'hermine cerclé d'or (dérisoire compensation il est vrai, cet regard de ce que nous avions perdu).
• Make it do something you enjoy, then add an extra instrument on top, something that sets off the adrenalin, and then just keep collaging until at some point you think 'structure'," and the "cire perdu" method which "he likens to wax-loss casting, where a sculptor's original wax model melts away in the casting process to leave a perfect mould.
• Her other film and television roles have included A Woman in Transit (La Femme de l'hôtel), The Alley Cat (Le Matou), Anne Trister, Straight for the Heart (À corps perdu), The Sex of the Stars (Le Sexe des étoiles) and L'Amour avec un Grand A.

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