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• The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi).
• In Goguryeo, an oboe called a piri, a lute called a pipa, and a zither that is still used today called a geomungo were popular instruments.
• It may have been a form of jargon; similar writing of partial characters are found in ancient Chinese musical (pipa, guqin and guzheng) scores.
• The name Bibai is derived from Ainu word "pipa o i", meaning "Place (swamp) with many cockscomb pearl mussels".
• She was adept in playing the pipa and also mastered the ancient "Four Arts of the Chinese Scholar" – the guqin, go, calligraphy and Chinese painting.
• The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term pipa was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument.
• The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin.
• Mainstream ruan players use plectrums, though there are some schools which teach the fingernail technique, similar to that of the pipa.
• Mainstream ruan players use plectrums, though there are some schools which teach the fingernail technique, similar to that of the pipa.
• The album gathered over twenty musicians from five continents, including Indo-Canadian ghazal singer Kiran Ahluwalia, Argentine bassist Pablo Aslan, Chinese pipa player Yihan Chen, American violinist Rachel Golub, Cuban drummer Horacio Hernández, Albanian accordionist Raif Hyseni, Palestinian oud player Adnan Joubran, Turkish kanun player Tamer Pinarbasi, Mexican guitar duo Rodrigo y Gabriela, Israeli percussionist Gadi Seri, and Yacouba Sissoko, a kora player from Mali.
• Some of the musicians he has composed for and collaborated with include pipa player Gao Hong, jazz guitarist Nguyen Le, jazz guitarist Freddie Bryant, singer Ryoko Moriyama, jazz flautist James Newton, taar player Ciavash Borhani, and kamancha player Samer Habibi.
• Stone has collaborated frequently with Asian performers, including traditional instrumentalists such as Min Xiao-Fen (pipa), Yumiko Tanaka (shamisen), Kazue Sawai (koto), Michiko Akao (ryuteki), and those working with modern instruments, such as Otomo Yoshihide (turntables, guitar), Kazuhisa Uchihashi (guitar, daxophone), Yuji Takahashi (computer, piano), and vocalists such as Reisu Saki and Haco.
• While at the Conservatory, she studied Pudong-style pipa performance under Lin Shicheng, Kuang Yuzhong, Chen Zemin, and Liu Dehai.
• While both instruments have a moon-shaped soundboard, the modern ruan uses a bridge, whereas the yueqin simply attaches the strings the frame, similar to the design of the pipa.
• The instrument's name is a Vietnamization of the name of the Chinese pear-shaped lute, called pipa, from which the đàn tỳ bà is derived.
• There are also other Chinese instruments that are able to take on the role of bowed bass range instrument, such as the laruan (which uses the structure and acoustics of the ruan), the lapa (also known as paqin, using the structure of the pipa), and the bass matouqin.

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