Anagram & Information om | Engelska ordet PLEIN

Exempel på hur man kan använda PLEIN i en mening

• During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting.
• Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted en plein air.
• The theory of 'En plein air' painting is credited to Pierre-Henri de Valenciennes (1750–1819), first expounded in a treatise entitled Reflections and Advice to a Student on Painting, Particularly on Landscape (1800), where he developed the concept of landscape portraiture by which the artist paints directly onto canvas in situ within the landscape.
• They were summoned by Ludovico Corrao to provide works of art to the city in order to help build it up as an eccentric museum en plein air.
• Charles Courtney Curran, the painter known for 19th century 'en plein air' figurative work, and later for portraits, visited in 1903 and later built a summer home at Cragsmoor.
• These include the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolorists, and the Western Desert Art Movement.
• Garstin painted plein air and was influenced by Impressionism, Japanese works and James McNeill Whistler.
• Leader's early works bore the influence of the Pre-Raphaelites with their attention to fine detail and emphasis on painting from nature "en plein air".
• Claude Monet becomes a student of Charles Gleyre in Paris, where he meets Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley, sharing new approaches to painting en plein air.
• According to another suggestion Pleiades derived from πλεῖν (plein, "to sail") because of the cluster's importance in delimiting the sailing season in the Mediterranean Sea: "the season of navigation began with their heliacal rising".
• He traveled in Spain in 1883 with Australian artist John Russell and future politician William Maloney, where he met Spanish artists Laureano Barrau and Ramon Casas, who introduced him to the principles of impressionism and plein air painting.
• In Sydney in 1888, Conder met and painted with plein airist Tom Roberts, then visiting from Melbourne.
• Choosing the autumn season for the exhibition was strategic in several ways: it not only allowed artists to exhibit canvases painted outside (en plein air) during the summer, it stood out from the other two large salons (the Société Nationale des Beaux-Arts and Salon des artistes français) which took place in the spring.
• During the summer of 1886–87, Streeton, aged nineteen, first befriended Tom Roberts and Frederick McCubbin while painting en plein air at Mentone Beach.
• From 1803, he taught at the Academy, but also travelled extensively, visiting Kherson, Mykolaiv, Bakhchysarai, Oryol and other locations in the south which had been visited by Catherine the Great, where he produced plein air sketches and watercolors of the surrounding areas.
• Williams spent long periods developing his plein air representations of the You Yangs, and these have now become classics of Australian art – rugged, dramatic, yet sparse in their imagery – unquestionably of the Australian bush.
• Briefly, the paper examines the myriad artistic influences van Gogh was parsing the summer of 1888: his lifelong devotion to and imitation of Jesus Christ; synthesizing Japonism and Cloisonnism with his own plein air techniques; colorizing Jean-François Millet's pious genre scenes with Eugène Delacroix's luminous palette (see Boats du Rhône); "search-for-sacred-realism" correspondence with his artist friend Émile Bernard; Thomas Carlyle and Boccaccio's examples of dressing old ideas in new clothes; an Émile Burnouf article claiming Buddhist missionaries sowed the seeds Essenes later reaped as Christianity; failed attempts creating his own Christ in the Garden of Olives; two proximal Last Supper studies (Interior of a Restaurant in Arles and Interior of the Restaurant Carrel in Arles) featuring straw-bottomed chairs he'd just purchased by the dozen (hoping to start a commune of twelve "artist-apostles" at his Yellow House); culminating with his composition of twelve diners drenched in a yellow halo surrounding a Rembrandtesque server framed by a crucifix at the vanishing point of the picture; it's concluded his original starry night is a Symbolist's Last Supper.
• A signposted multiday trekking route passes areas that were common to the painter for his En plein air painting.
• Despite the immensity of the canvases, Sorolla painted all but one en plein air, and travelled to the specific locales to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site painting models posed in local costume.
• Marion Kavanaugh Wachtel (June 10, 1873/77 – May 22, 1954) was an American plein air painter in watercolors and oils.

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