Anagram & Information om | Engelska ordet PUGIN

Exempel på hur man kan använda PUGIN i en mening

• He was the son of Auguste Pugin, and the father of Edward Welby Pugin, Cuthbert Welby Pugin, and Peter Paul Pugin, who continued his architectural and interior design firm as Pugin & Pugin.
• In 1853 Goss, then bishop, awarded the commission for the building of the new cathedral to Edward Welby Pugin (1833–1875).
• From 1847 to 1852 he practised in Preston, Lancashire, working briefly in association with Augustus Welby Northmore Pugin towards the end of the latter's life.
• This was designed by Charles Barry, who employed Augustus Welby Northmore Pugin for aspects of the interior design, generally held to include Big School and, less certainly, the decorative battlements.
• Pugin most commonly refers to Augustus Welby Northmore Pugin (1812–1852), an English architect and designer.
• The architect was Augustus Welby Northmore Pugin who also designed the interior of The Houses of Parliament.
• In particular, Augustus Welby Pugin wrote that "there should be no features about a building which are not necessary for convenience, construction, or propriety" and "all ornament should consist of enrichment of the essential construction of the building".
• Two influential clergy houses for the Church of England are designed: the Rectory at Rampisham, Dorset, designed by Augustus Pugin (along with restoration of the church; completed 1847) and the Vicarage at Coalpit Heath in south Gloucestershire, designed by William Butterfield (along with his first new Anglican church, St Saviour's, consecrated October 9).
• Wardell was an accomplished architect, known especially for a series of Catholic churches in London, all in Gothic Revival style, and was part of the circle around one of the leading exponents of the Gothic for churches, Augustus Welby Pugin.
• The house was altered substantially (with some of the original character lost) after the Neale family commissioned the architect Thomas Larkins Walker, a pupil of Pugin, to carry out a detailed survey of the manor in 1836; though his restoration proposals of 1837 were never carried out, the house was reduced and in particular, the great hall, adapted as a farmhouse, lost its ornate ceiling, with only one of the original bosses surviving.
• Polding wrote to William Wardell, a pupil of Augustus Welby Pugin, the most prominent architect of the Gothic Revival movement.
• Charlotte Gere and Michael Whiteway: Nineteenth-Century Design: From Pugin to Mackintosh (Weidenfeld & Nicolson, London, 1993).
• In this way Petre was referring in a modest way to the original Gothic revival period as conceived by such architects as James Wyatt, rather than the later Gothic, after it had fallen under the ecclesiastical Anglo-Catholic influences of such architects as Augustus Pugin in England, and Benjamin Mountfort in New Zealand.
• Pugin, to whom she gave much artistic freedom and who created a lavish living environment for her, down to the smallest details like her inkstand and notepaper.
• It was built by Augustus Welby Northmore Pugin, who was commissioned by John Talbot, 16th Earl of Shrewsbury to create a church that "would have no rival".
• In England, the epicentre of this revival, it was intertwined with deeply philosophical movements associated with a re-awakening of "High Church" or Anglo-Catholic self-belief (and by the Catholic convert Augustus Welby Pugin) concerned by the growth of religious nonconformism.
• Pugin produced views of London, jointly creating the illustrations for the Microcosm of London (1808–1811) published by Rudolph Ackermann, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College.
• In an oral hearing conducted by An Bord Pleanála, the Irish Planning Board, it emerged that irregularities had occurred in the planning application that were traced to Cobh Town Council, which accommodated the Bishop's plans to modify the Victorian interior designed by E W Pugin and George Ashlin.
• Pugin & Ashlin adjusted their plans, and added flying buttresses, traceried parapets, arcading, niches, and more.
• Augustus Charles Pugin & Thomas Rowlandson – Volume 1 of The Microcosm of London, illustrated in aquatint from watercolours produced jointly by Pugin & Rowlandson and published by Rudolph Ackermann in London.

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