Anagram & Information om | Engelska ordet RENGA

Exempel på hur man kan använda RENGA i en mening

• During his lifetime, Bashō was recognized for his works in the collaborative haikai no renga form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku).
• The "origin" of renga is traditionally associated with a passage in the , wherein Prince Yamato Takeru speaks to an old man and inquires, by way of a katauta poem, how many nights he had slept since passing Nabari and Tsukuba, to which the old man responds by way of another kata-uta poem, which combined form a single sedōka.
• Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza.
• Yuki-onna originates from folklores of olden times; in the Muromachi period Sōgi Shokoku Monogatari by the renga poet Sōgi, there is a statement on how he saw a yuki-onna when he was staying in Echigo Province (now Niigata Prefecture), indicating that the legends already existed in the Muromachi period.
• Yoshihisa's knowledge of culture is not known, but after Hideyoshi granted Hosokawa Fujitaka a retirement estate at Osumi Province in 1595, Fujitaka taught him classic literatures, and Kampaku Konoe Wakihisa, who was skilled in waka and renga, is believed to have frequented Yoshihisa's house.
• Group members have also created a few of their own poetry forms, such as the contrail and the Fibonacci-No-Haiku (based upon the Fibonacci number), written SF poetry based on other short poetry forms such as the cinquain, and experimented with a number of collaborative poetry forms such as science fiction renga and stellarenga.
• Initially haikai no renga distinguished itself through vulgarity and coarseness of wit, before growing into a legitimate artistic tradition, and eventually giving birth to the haiku form of Japanese poetry.
• is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga).
• Matsuo Bashō 松尾 芭蕉 (1644–1694), the most famous Edo-period poet, recognized for his works in the collaborative haikai no renga form; now more widely recognized as a master of haiku.
• It is a development of traditional Japanese renga and renku, but unlike these it does not adhere to traditional strictures on length, rhythm, and diction.
• The lyrics to "Sumiregusa" are inspired by hokku, the opening stanza to the Japanese form of poetry renga and renku, written by the poet Matsuo Bashō who once felt his heart leap "at the sight of a wild violet".
• This concept is applied to elements of the Japanese tea ceremony, to kendō, to the traditional theatre, to Gagaku, and to the traditional collaborative linked verse forms renga and renku (haikai no renga).
• During the year of 1552, Shokyu laid on his death bed then on entrusting Joho with the leadership of the Satomura school of renga and the care of his son Satomura Shoshitsu.
• Matsuo Bashō 松尾 芭蕉 (1644–1694), the most famous Edo period poet, recognized for his works in the collaborative haikai no renga form; now more recognized as a master of haiku.
• Yamazaki Sōkan 山崎宗鑑, pen name of Shina Norishige (1465–1553), renga and haikai poet, court calligrapher for Shōgun Ashikaga Yoshihisa; became a secluded Buddhist monk following the shōgun's death in 1489.
• Yamazaki Sōkan 山崎宗鑑, pen name of Shina Norishige (1465–1553), renga and haikai poet, court calligrapher for Shōgun Ashikaga Yoshihisa; became a secluded Buddhist monk following the shōgun's death in 1489.
• Haikai (Japanese 俳諧 comic, unorthodox) may refer in both Japanese and English to haikai no renga (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga.
• The Haiku Society of America is well known for its annual contests for haiku, senryū, haibun, renku, and renga, as well as the Merit Book Awards for the best haiku books published each year.
• Sōin's haikai (comical renga) became the transition between the light and clever haikai of Matsunaga Teitoku and the more serious and aesthetic renku of Matsuo Bashō.

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