Definition & Betydelse | Engelska ordet ROLLER-COASTER

Definition av ROLLER-COASTER

1. stavningsvariant av rollercoaster

Exempel på hur man kan använda ROLLER-COASTER i en mening

• Space Walk is a roller-coaster like walkable art installation design by German artists Heike Mutter and Ulrich Genth and located in Hwanho Park.
• Another change from the Forsyth era was that the celebrity guests could no longer specify the nature of their forfeit should their challenge fail – instead, they had to choose from a list of pre-defined forfeits hidden under cryptic statements – for instance "Dinner Coming Up" meant that the forfeit was to try and eat whilst riding a roller-coaster.
• Allmusic described their sound as a combination of "dissonant rock, progressive music, jazz, noise and punk", while the Chicago Tribune described the band as "art-punk", stating that the band "combines the complexity of art rock, the sledgehammer forcefulness of punk, brooding melodies and countless hours of toil into one of the city's most distinctive sounds", describing their music as "a roller-coaster ride of jarring guitar riffs and blaring free jazz saxophone, abruptly changing time signatures and dramatic, dynamic shifts".
• Other park facilities included an enclosed dance pavilion, a natatorium (swimming pool), an airdrome, and, later, a $7,600 roller-coaster.
• " Similarly, Neil Smith, writing for BBC Movies online noted "What follows mixes the light-hearted antics of The Lavender Hill Mob with such high-brow gags as Simon chundering on a roller-coaster or disposing of a phallus sculpture in a ladies' loo.
• She also used her diary to chronicle her roller-coaster friendships with a girl named Lena Gershman and a boy named Grisha Grinblat.
• Is this a good thing? Is our every reader a worthy collaborator or does his involvement dilute the whole process? Do we, as readers, want this? This is where the 'entertainment media' at large is headed: to pander to the impatient lout and to provide him with material that ranges only from masturbation fodder to the narrative equivalent of a roller-coaster ride.
• Her other theatre writing credits include Joséphine (1993), a musical play about the life of Josephine Baker (Battersea Arts Centre, Oldham Coliseum Theatre and on national tour), Dust (Battersea Arts Centre), Crush: The Musical (2015), with music by Kath Gotts first performed at the Belgrade Theatre in Coventry and on national tour, set in an all-girls' school in 1963 and with lesbian undercurrents, and The Realness (2014), an urban musical about "a bad boy’s roller-coaster journey from zero to hero" first performed at the Hackney Downs Studios.

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