Information om | Engelska ordet SAINT-NAZAIRE

Exempel på hur man kan använda SAINT-NAZAIRE i en mening

• With Saint-Nazaire, a seaport on the Loire estuary, Nantes forms one of the main north-western French metropolitan agglomerations.
• In September 1939, after Germany invaded Poland, the United Kingdom sent the British Expeditionary Force (BEF) to aid in the defence of France, landing at Cherbourg, Nantes, and Saint-Nazaire.
• The commandos fought their way through the town to escape overland but many surrendered when they ran out of ammunition or were surrounded by the Wehrmacht defending Saint-Nazaire.
• After being stationed at the Saint-Nazaire submarine base in German Occupied France towards the end of the war, Kähler was captured by the Allies and taken to the prisoner of war camp at Ile de Ré, and then to another camp in Mulsanne.
• MAN Diesel has production facilities in Augsburg, Copenhagen, Frederikshavn, Saint-Nazaire, Aurangabad and Shanghai.
• At 19, he joined the French Resistance as a medic, working at the Atlantic seaport of Saint-Nazaire, where he helped smuggle Austrian Jews to safety and freedom in England.
• On the Western Front, Hitler declared eleven major ports as fortresses on 19 January 1944: IJmuiden, the Hook of Holland, Dunkirk, Boulogne-sur-Mer, Le Havre, Cherbourg, Saint-Malo, Brest, Lorient, Saint-Nazaire and the Gironde estuary.
• She was raised in April 1947 and towed to the Ateliers et Chantiers de Saint-Nazaire Penhoët shipyard in Saint-Nazaire to complete her refitting.
• The St Nazaire Raid (Operation Chariot) was a seaborne attack on the heavily defended docks of Saint-Nazaire in occupied France on the night of 28 March 1942.
• The hull was built in 14 sections by a variety of subcontractors of DCN, including several companies from Saint-Nazaire.
• Les Vacances was shot in the town of Saint-Marc-sur-Mer, which lies on the edge of the industrial port of Saint-Nazaire, in the Département of Loire-Atlantique.
• Norwegian partisans among workers at a factory, ordered by the Quisling government to turn over a catch of sardines to the Nazi German government for shipment to Saint-Nazaire (a U-boat base of operations) arranged with the British for a large shipment of croton oil to covertly poison the sardines, whose fishy taste was expected to conceal the tampering.
• Chishima was designed by French military advisor Émile Bertin, and built in the Ateliers et Chantiers de la Loire shipyards in Saint-Nazaire, France.
• Towards the end of the Second World War, the French Forces of the Interior (FFI) from west-central France (notably those of the Charles Martel brigade, Indre-et-Loire, and Loire-Inférieure), were incorporated into the newly formed 25th Infantry Division, deployed in April 1945 in the Saint-Nazaire region.
• On 17 May 1657, at Saint-Nazaire, Paul Chomedey de Maisonneuve and d'Ailleboust, as well as three Sulpicians (Gabriel Souart, Antoine d'Allet, and Dominique Galinier) under the leadership of Gabriel de Queylus, the first superior of Saint-Sulpice at Montreal, boarded the ship bound for Canada.
• The Liberty Group, under the name of Bataillon de la Poche ("Pocket Battalion"), helped to liberate Saint-Nazaire from a pocket of German holdouts in May 1945.
• Lila: Single trip tickets (Ticket unité Lila) valid two hours on the Lila network (departmental buses in Loire-Atlantique) and one hour on the TAN or STRAN (Saint-Nazaire buses) networks when transiting from Lila, a 10x saver ticket booklet (Carnet de 10 tickets Lila) valid two hours each on the Lila network and one hour on the TAN or STRAN networks when transiting from Lila.
• Le 4 juin, ils embarquèrent sur un pyroscaphe à Saumur, descendirent la Loire par Angers et Saint-Nazaire (seize heures de voyage), et de là empruntèrent la patache du voiturier Bernus, une sorte de malle-poste brinquebalante pour arriver à Guérande, autant dire au bout du monde.
• In the 2001 local elections it chose to take part in lists presented by the united left except in Guingamp, Redon, Lannion and Saint-Nazaire.
• Wandering between Landscape and Art, Spiral Jetty and Potsdamer Schrebergårten, Museum für Gegenwartskunst, Basel; curated by Bernhard Mendes Bürgi (2001), Effetto Natura, Fondazione Nicola Trussardi, Milan; curated by Mariuccia Casadio, Italy (2001), Extreme Connoisseurship, Fogg Art Museum, Cambridge, MA; curated by Linda Norden (2001), Melodrama, ARTIUM, Centro-Museo Vasco de Arte Contemporarneo, Vitoria, toured to the Palacio de los Condoes de Gabia/Centro Jose Guerroe, Granada, Spain (2002), Sphere, The Sir John Soane’s Museum, London, UK (2002), Interview with Painting, Fondazione Bevilacqua La Masa, Venice, Italy (2003), Panorámica Programme, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico (2003), Flower Power, Musee de Beaux-Arts, Lille, France (2003), Art of the Garden, Tate Britain, London, UK (2004), Rose C’est La Vie, Tel Aviv Museum, Tel Aviv, Israel (2004), The Boros Collection, ZKM Museum für Neue Kunst, Karlsruhe, Germany (2004), Why Not Live for Art, Tokyo Opera City Art Gallery, Tokyo, Japan (2004), Flowers Observed, Flowers Transformed, the Andy Warhol Museum, Pittsburgh, PA (2004), Satellite, ArtNow Lightbox, Tate Britain, London, UK (2004), The Flower as Image, Louisiana Museum of Modern Art, Humlebæk, Denmark (2004), Private View 1980/2000: Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne, Switzerland (2006), Boys and Flowers, Western Bridge, Seattle, WA (2006), Eye on Europe: Prints, books & multiples / 1960 to now, The Museum of Modern Art, New York, NY (2006), Constellations II, Städel Museum, Frankfurt, Germany (2007), Repicturing the Past/Picturing the Present, The Museum Of Modern Art, New York, NY (2007), The Enchanted Garden, Auckland Art Gallery, Auckland, NZ (2008), Supernatural, CCA Andratx, Mallorca, Spain (2008), WALL ROCKETS: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison, The FLAG Art Foundation, New York, NY, toured to Albright Knox Art Gallery, Buffalo, NY (2008-9), Flower Power, CRAA Centro Ricerca Arte Attuale, Verbania, Italy (2009), Le sang d’un poète (Blood of a poet), Hangar à bananes, Nantes, France (part of Estuaire Nantes, France Saint-Nazaire biennale) (2009), WONDERLAND – Through the looking glass, curated by Robbert Roos, KadE, Amersfoort, Netherlands (2009), Murals, Fundació Joan Miró, Barcelona, Spain (2010), PHILAGRAFIKA, Moore College Gallery, Philadelphia, PA (2010), Layers: John Moores Contemporary Painting Prize, Seongnam Arts Centre, Korea (2010), Nothing is forever, South London Gallery, London, UK (2010), Dark Matters, Whitworth Art Gallery, Manchester, UK (2011), Gold, Belvedere, Vienna, Austria (2012), Dancing Towards the Essence, Kunsthaus Grenchen, Switzerland (2012), Under the Greenwood: Picturing British Trees – Present, St Barbe Museum, Lymington, UK (2013), Post Pop: East Meets West, Saatchi Gallery, London, UK (2014), The Real Face of Burns, Robert Burns Birthplace Museum, Ayr, Scotland (2015), The Romantic Thread in British Art, Southampton City Art Gallery, UK (20016) and Beautifully transient.

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