Anagram & Information om | Engelska ordet SAMBAS

Exempel på hur man kan använda SAMBAS i en mening

• His eponymous debut album exemplified his future work, with catchy sambas characterized by inventive wordplay and an undercurrent of nostalgic tragedy.
• Besides playing piano, Jobim was also responsible for some of the arrangements and co-wrote nearly all of the songs except "Doralice" and "Pra Machucar Meu Coração", both old sambas, which are more polished and serious in Gilberto's version.
• Their repertoire was diverse, encompassing folk music from northeast Brazil, sambas, maxixes, waltzes, polkas, and "Brazilian tangos" (the term choro was not yet established as a genre).
• His literacy and verbal skill enabled Lins to begin writing sambas and contributing to local culture, which enabled him to escape the cycle of gang violence in the favela and become a successful writer.
• Brass bandas play a wide variety of song styles including rancheras, corridos, cumbias, charangas, ballads, boleros, salsas, bachatas, sones, chilenas, jarabes, mambos, danzones, tangos, sambas, bossa novas, pasodobles, marches, polkas, waltzes, mazurkas, chotís, and swing.
• With regard to tempo, Cartola's music had a strong tendency towards calmer, slower sambas in contrast to the faster, brisker sambas de terreiro seen in samba schools and to other composers' music.
• At the age of 8, besides having written a parody for one of his father's sambas, for the samba-enredo of the Bloco da Alegria carnival block, he was presented with a guitar by his mother Thereza, pastora of the samba school Portela.
• These include marches and pasodobles as well as boleros, foxtrots, jotas, sambas, tangos, schottisches, and waltzes for band.
• Her husky mezzo-soprano voice is known for its extensive emotional range, from tender ballads, to sensual love songs, to Portuguese fados all the way to energetic sambas and lambadas.
• The founding members of Fundo de Quintal, Almir Guineto (banjo/cavaco), Bira Presidente (pandeiro), Jorge Aragão (acoustic guitar), Neoci (tan-tan), Sereno (tan-tan), Sombrinha (acoustic guitar/chip) and Ubirany (hand-repique), used to perform on Wednesdays in the sambas at the headquarters of the carnival block Cacique de Ramos in the mid-1970s.
• The school's history is crowned by splendid sambas, true classics of the samba-enredo such as Aquarela Brasileira ("Brazilian Aquarelle") (1964 and 2004), Exaltação a Tiradentes ("Exaltation to Tiradentes") (1949), Os Cinco Bailes da História do Rio ("The Five Balls of the History of Rio") (1965), Heróis da Liberdade ("Liberty Heroes") (1969), Bumbum paticumbum Prugurundum (1982), among others.
• John Fordham of The Guardian described it as "a repertoire of standards and sambas" characterized by the artists' "musicianly and understatedly spontaneous take on smooth jazz".
• In his compositions we see a refined Brazilianness: modinhas, frevos, sambas, valsas and other colors are mixed with post-tonal techniques, refined counterpoints and unusual instrumentation.

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