Information om | Engelska ordet SIENESE

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• The brothers Pietro and Ambrogio Lorenzetti were "responsible for a crucial development in Sienese art, moving from the tradition inherited from Duccio towards a Gothic style, incorporating the innovations in Florence introduced by Giotto and Arnolfo di Cambio".
• Much of the development of the style occurred in Italy, and it probably spread north of the Alps to influence France partly through the colony of Italian artists attached to the Papal Court at Avignon, and the works displayed from the residence there in the 1330s and 1340s of Simone Martini, a Sienese precursor of the style.
• Due to gaps where Duccio's name goes unmentioned in the Sienese records for years at a time, scholars speculate he may have traveled to Paris, Assisi and Rome.
• Perpetuating the Sienese tradition, Simone's style contrasted with the sobriety and monumentality of Florentine art, and is noted for its soft, stylized, decorative features, sinuosity of line, and courtly elegance.
• Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him.
• In Maestà, Lorenzetti followed the artistic tradition set by other Sienese painters like Simone Martini but adds an intense maternal bonding scene to Maestà, which was unusual in contemporary Sienese art.
• The Sienese academy eventually recovered from the unrest, thanks to initiatives by the city's private enterprises and a series of legislative acknowledgements that boosted the reputation of the School of Pharmacy and that of Obstetrics (and consequently the School of Medicine itself) while the old hospital Santa Maria della Scala was transformed into General University Hospital.
• is a brilliant parody of Castiglione's , and features the adventures of a Sienese gentleman, Messer Maco, who travels to Rome to become a cardinal.
• Compared to the equilibrated, geometric, and self-assured Florentine style, the Sienese style of painting edges into a more irrational and emotionally unbalanced world.
• The thirteenth-century church is dedicated to San Lorenzo; frescoes remain on its walls, and a polyptych by the Sienese painter Sano di Pietro.
• Twelve years later, Giannino Baglioni is summoned to Rome by the self-declared tribune Cola de Rienzi, who reveals to the Sienese banker that Giannino is actually Jean I, the rightful King of France.
• It was placed there by the government in 1425 in gratitude to the great preacher, a native Sienese, for his sermons aimed at quelling social and political factionalism and unrest.
• Hayden Maginnis "Everything in a name? Or the Classification of Sienese Duecento Painting" in Italian Panel Painting of the Duecento and Trecento V.
• The Orvieto Cathedral was eventually built to commemorate the miracle and house the Corporal of Bolsena in a reliquary made by Sienese goldsmith Ugolino di Vieri in 1337–1338.
• The interior contains frescoes depicting the life of Saint Francis, those on the walls having been painted by Cristofano di Bindoccio and Meo di Pero, 14th-century artists of the Sienese School.
• With the fall of the Sienese Republic, Montefioralle lost its prior importance and most of its inhabitants moved to Greve in Chianti.
• The church contains several liturgical treasures : a cross-shaped silver (and partly gilded) reliquary by the Sienese court jeweller Nicolas Gallicus (first half of the 14th century - but the initials NC may also refer to a possible contributor Nicolaus Castellanus), a silver (partly gilded) crucifix and monstrance attributed to Antonio from Košice (early 16th century), a chalice by Jan Kolbenhayer (1795) and a rare bronze baptismal font (second half 13th century).
• According to Sienese tradition, the day before the battle, the Ghibelline army marched thrice around the Ropole Hill in full view of the Guelph army, changing uniforms each time and mounting non-combatants on pack animals in order to create the impression that their army was three times as large as it actually was.
• While working within the Sienese tradition, he innovated the style by introducing elements derived from the decorative Gothic style and the realism of contemporary Florentine innovators as Masaccio.
• He was first documented in 1417 working for the Sienese Dominican Order as a miniaturist (manuscript illuminator).

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