Definition, Betydelse & Anagram | Engelska ordet SIMILE

Definition av SIMILE

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Exempel på hur man kan använda SIMILE i en mening

• Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile.
• According to Jülicher, a parable or similitude (extended simile or metaphor) has three parts: a picture part (Bildhälfte), a reality part (Sachhälfte), and the point of comparison (tertium comparationis) between the picture part and the reality part.
• Hoc simile quartzo durum, distinctum quod cum aqua forti non, nisi post aliquot minuta & fero, effervescens.
• Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Biblical descriptions of Jesus's plainness in his life and teachings (in the epic, he prefers Hebrew Psalms to Greek poetry).
• State Banquet Serving the Peacock Fac simile of a Woodcut in an edition of Virgil folio published at Lyons in 1517.
• Mimed Metaphor: A variety of virtual simile an object may be treated as if it is a different object or be used in an unconventional way, such as acting like a doughnut is a barbell or using a tuba as an umbrella holder.
• The Marinist poet never hesitated to embark on a long string of comparisons with nature, most of them couched as metaphor rather than simile because this allowed for more striking statements.
• Kydonians are mentioned in book 12 of the Aeneid, where their excellent bow skills are used in an extended Virgilian simile describing the Fury's descent to Juturna.
• The "Miltonic simile" thus operates on two levels: a surface-level logical connection and a deeper, emotional or thematic linkage.
• Chinese has five words translatable as "idiom": chengyu (/ "set phrase; idiom"), yanyu (/; "proverb; popular saying, maxim; idiom"), xiehouyu (/; "truncated witticism, aposiopesis; enigmatic folk simile"), xiyu (/; "idiom"), and guanyongyu (/; "fixed expression; idiom; locution").
• Metaphor and simile give way to the belief that objects are exactly what they appear to be "subject losing insight into the differences between literal and analogical meanings" These stages may not always be sequential, and all stages may not be experienced depending on the subject and of course the type of psychotropic being used.
• He uses the term fantoccio to describe the crude graffiti figures scratched on walls by vandals: ‘una figura che non avessi niente di disegno…goffa, simile a que’ fantocci che fanno coloro che non sanno et imbrattano le mura’.
• His use of simile, much of it drawn from the Occitan troubadours and medieval bestiaries, has been criticised as dry, unpoetic, and overused.
• Etiam hoc fragmentum sexti saeculi videtur; litterarum forma inprimis simile est fragmentins illis tribus evangeliorum purpureis, Romae, Londini et Vindobonae servatis, quae anno 1846 in priore collectione Monumentorum Sacrorum publicavi.
• Roepera similis was first described in 1990 by Hansjörg Eichler as Zygophyllum simile, based on a specimen has collected from the Musgrave Ranges in South Australia in 1963.
• This passage is famous not just for succinctly presenting the Buddha’s teaching of non-self through the simile but also for being one of the earliest depictions of a woman adept at comprehending and practising the Buddha’s dhamma.
• This humbling simile has caused the narrator to move from thoughtlessness to thought, and, as "thought is life", from death to life, allowing the conclusion, "Then am I / A happy fly / If I live, / Or if I die", a conclusion to which Paul Miner comments: "Brain-death is real death".
• Many of the themes in the poem are created through the initial simile of winter light "that oppresses, like the Heft / Of Cathedral Tunes -" This simile creates a synesthetic effect, mixing sound, sight, and weight.
• Then the poem's first simile appears, the waters which Indra freed from Vritra are like "bellowing milk-cows".
• Boswell notes the presence of several figures of speech in the proverbs, including (in decreasing order of frequency) antithesis, alliteration, metaphor, personification, hyperbole, synecdoche, and (once each) assonance, simile, metonymy, litotes, and onomatopoeia.

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