Definition, Betydelse & Anagram | Engelska ordet SNYING

Definition av SNYING

1. böjningsform av sny
2. presensparticip av sny

Exempel på hur man kan använda SNYING i en mening

• The Base represents the original state of existence, characterized by emptiness (stong pa nyid), clarity (lhun grub, associated with luminous clarity), and compassionate energy (snying rje).
• Vimalamitra united the two aspects of Innermost Unexcelled Section — the explanatory lineage with scriptures and the hearing lineage without scriptures — and concealed them to be revealed as the Nyingtig teachings Vima Nyingtig, and also as the Secret Heart Essence of Vimalamitra (bi ma'i gsang ba snying thig).
• Vilāsavajra dpal gsang ba snying po’i ’grel pa rin po che’i spar khab slob dpon sgeg pa'i rdo rjes mdzad pa - "Blazing Palace".
• The Karma Kagyu Dzogchen transmission that arose from his lineage is known as the "Karma-Nyingthig" (Tibetan: kar ma snying thig; Essence of the Heart of the Karma School).
• Variations of the name of the fourth section include the Secret Heart Essence (gsang ba snying thig), the Most Secret Unexcelled Nyingtig (yang gsang bla na med pa snying tig), the Innermost Unexcelled Cycle of Nyingtig (yang gsang bla na med pa'i snying thig skor), the Most Secret and Unexcelled Great Perfection (yang gsang bla na med pa rdzogs pa chen po), the Most Secret Heart Essence (yang gsang snying thig), the Most Secret Unsurpassable Cycle (yang gsang bla na med pa'i sde) and the Vajra Heart Essence.
• He gives two lists, one in his Zangs gling ma biography of Padmasambhava, and the other in his religious history, the Me tog snying po.
• The most influential texts of the instruction series are the Seventeen Tantras (rgyud bcu bdun) and the two "seminal heart" collections, namely the Vima Nyingthig, (bi ma snying thig, "Seminal Heart of Vimalamitra") and the Khandro Nyingthig (mkha' 'gro snying thig, "Seminal Heart of the Dakini").
• The oldest account of Tsangma is found at Chos 'byung me tog snying po sbrang rtsi'i bcud, which is generally assumed to be a late-twelfth century work by Nyangrel Nyima Özer.

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