Anagram & Information om | Engelska ordet STEHR

Exempel på hur man kan använda STEHR i en mening

• Clients represented to the SA Parliament and SA government since 2016 include: SA Power Networks, Daycorp, D and R DeRuvo and sons, Fyfe, SSE Australia, Bedford Group, Walker Corporation, Lincoln Lakes Development Company, Kelaray Pty Ltd, Kangaroo Island Plantation Timbers Ltd, The Stehr Group, Tri-star Petroleum, Celsus/SA Health Partnership, Karadeniz Holdings, The Belgrave Group, RH & DJ Bichard Superfund.
• The group began in late 1988 when Shaheen and Ready D experimented in a small 8-track studio (owned by Shaheen's father, Issy Ariefdien and Lance Stehr the current Ghetoruff CEO) and produced a demo that ultimately became "Our World" (1990), the first South African hip hop release.
• There, she began work on her second album with local label Ghetto Ruff Records owner Lance Stehr, with whom she finished several songs before moving to Limpopo to work with a controversial former attorney Tumi Mokwena, who worked with Johnson at his stable TMP Records.
• In many ways POC enabled Stehr to expand and grow the label into the premiere kwaito label in South Africa today.
• By this time Easts had fallen into the cellar – they had been bottom for the first time in the 1949 season under Ray Stehr – and although Norman improved the Tricolours to seventh in 1950 with seven wins and fifth with nine victories (including premiers South Sydney's solitary home-and-away defeat) in 1951, a lapse to eighth in 1952 prevented him keeping the job.
• Ray Stehr (Coach); Kevin Abrahamsen, Jack Arnold, Milton Atkinson, Reg Beath, Frank Burke, Vic Bulgin, Jack Coll, Col Donohoe, Ernie Hawkins, Gordon Hassett, Dick Healy, Sid Hobson, Brian Holmes, Jim Hunt, Ken Hunter, Ken McCaffery, Billy Morris, John Murphy, J 'Mick' Phelan, Stan Robinson, John Sellgren, Len Solomon, Ralph Stewart, Ian Verrender.
• Guinery, Bob Halloway, Harley Hanrahan, John Lane, Jack Morrison, Max Nixon, Ernie Norman, Sid ' Joe' Pearce, Ray Stehr, Viv Thicknesse, Harry Thompsons, Fred Tottey, Laurie Ward, Wood.
• In: Peter Weingart, Nico Stehr (eds): Practising Interdisciplinarity, University of Toronto Press 2000, pp.
• Kristina Lowis und Christina Stehr: „Was, um Himmels willen, verstehen Sie unter ‚Arbeitsabzug – keine Originale‘?“: Abisag Tüllmanns fotografischer Nachlass im Spannungsfeld zwischen analogem Archiv und digitaler Präsenz.

Förberedelsen av sidan tog: 242,82 ms.