Anagram & Information om | Engelska ordet STROPHE

Exempel på hur man kan använda STROPHE i en mening

• The term stanza has a similar meaning to strophe, though strophe sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas.
• In its original Greek setting, "strophe, antistrophe and epode were a kind of stanza framed only for the music", as John Milton wrote in the preface to Samson Agonistes, with the strophe chanted by a Greek chorus as it moved from right to left across the scene.
• According to one meaning of the word, an epode is the third part of an ancient Greek choral ode that follows the strophe and the antistrophe and completes the movement.
• Thus, in Gray's ode called "The Progress of Poesy" (excerpt below), the strophe, which dwelt in triumphant accents on the beauty, power and ecstasy verse, is answered by the antistrophe, in a depressed and melancholy key:.
• Synonymous parallelism; in this form, the second unit (hemistich or half line of verse, verse, strophe, or larger unit) says much the same thing as the first one, with variations.
• Mesroída who was the brugaid (hospitaller, from brug "hostel") was of course the titular figure of Scéla Muicce Mac Dáthó "The Tale of Mac Da Thó's Pig", and the final strophe of the poem recapitulates that story by telling of the pig and hound and the banquet and the "Four times seven fifties" who died in the mansion.
• Dukus Horant is composed in four-line rhymed strophes, the first and second line of each strophe being distichal.
• The Summer Songs use a simple strophic form, the "dance strophe" (German , from MHG , "circle dance", "carole") characterised by simple couplet and triple rhymes, e.
• Eleven of Bartolino's madrigals survive; like the ballate, they are mostly for two voices, however there are two pieces for three, and one of them (La Fiera Testa) has a macaronic text which is trilingual, one strophe in Italian, one in Latin and the final Ritornello section in French.
• In the printed Heldenbücher, the Hildebrandston is transformed into the Heunenweise, an eight-line strophe: the long-line is split at the caesura and unrhymed line-endings are given rhymes, with the resulting rhyme scheme ABABCDCD.
• In the printed Heldenbücher, the Hildebrandston is transformed into the Heunenweise, an eight-line strophe: the long-line is split at the caesura and unrhymed line-endings are given rhymes, with the resulting rhyme scheme ABABCDCD.
• Snorri paraphrases the strophe of the poem a second time in Gylfaginning 51, merely saying: "Surt rides first, and before him and after him is burning fire", afterwards requoting more extensively around the same strophe (Völuspá 48–56).
• Finally the evil has to give way, a last attempt and then it flees – and with a strophe thereafter in consoling major mode a solo clarinet ends this large idyll-movement, an expression of vegetative (idle, thoughtless) Nature.
• The story is made up of an introduction and a complaint by Anelida which is in turn made up of a proem, a strophe, antistrophe and a conclusion.
• The term is derived from the name of a Greek archaic poet, Pindar, but is based on a misconception since Pindar's odes were in fact very formal, obeying a triadic structure, in which the form of the first stanza (strophe) was repeated in the second stanza (antistrophe), followed by a third stanza (epode) that introduced variations but whose form was repeated by other epodes in subsequent triads.
• “The poetic madrigal is a lyric consisting of one to four strophes of three lines followed by a two-line strophe.
• The 24 stanzas are arranged into four strophes, each strophe consisting of three tunes iterated twice over.
• For example, in a Canon, the strophe or stanza of a standard hymn which indicates the melody of a composition is known as an irmos (eirmos, hirmos).
• i (late first century BCE or early first century CE): Pindar, Partheneia with a coronis marking the end of a strophe.
• The metre differs but slightly from the rhythm of prose, is easy to construct and to memorize, adapts itself very well to all kinds of subjects, offers sufficient metric variety in the odd feet (which may be either iambic or spondaic), while the form of the strophe lends itself well to musical settings (as the English accentual counterpart of the metric and strophic form illustrates).

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