Anagram & Information om | Engelska ordet STURM


STURM

2

Antal bokstäver

5

Är palindrom

Nej

9
RM
ST
STU
TU
TUR
UR

12

1

16

97
MR
MRS
MRT
MRU
MS
MSR
MST


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Exempel på hur man kan använda STURM i en mening

  • In 744 Saint Sturm, a disciple of Saint Boniface, founded the Benedictine monastery of Fulda as one of Boniface's outposts in the reorganization of the church in Germany.
  • It is still home to Marlin Firearms, which was an asset of Remington now owned by Sturm, Ruger & Co.
  • Many New Zealand writers have obtained local and international renown over the years, including the short-story writers Katherine Mansfield, Frank Sargeson and Jacquie Sturm, novelists Janet Frame, Patricia Grace, Witi Ihimaera, Maurice Gee, Keri Hulme and Eleanor Catton, poets James K.
  • In 1922, at a joint exhibition with fellow Hungarian Peter Laszlo Peri at Der Sturm, he met Walter Gropius.
  • His plays, of which Merope (1774), an adaptation in blank verse of the tragedies of Maffei and Voltaire, and Medea (1775), a melodrama, are best known, were mostly based on French originals and had considerable influence in counteracting the formlessness and irregularity of the Sturm und Drang drama.
  • September 29 – Johann Wolfgang von Goethe's semi-autobiographical epistolary novel The Sorrows of Young Werther (Die Leiden des jungen Werthers) (written January – March) is published anonymously in Leipzig, Germany; it is influential in the Sturm und Drang movement and Romanticism.
  • FV Grube Marga, as the club was then called, was active until 1924 when the miners left to form a new team called SV Sturm Grube Marga, which was banned by the Nazi Party in 1933.
  • Mozart uses diverse styles including galant homophony, learned counterpoint, and even the intense Sturm und Drang style.
  • Herder as the main support of the Sturm und Drang movement, and is associated with the Counter-Enlightenment and Romanticism.
  • In fact, they had defended Ervin Eisch, Lothar Fischer, Dieter Kunzelmann, Renee Nele, Heimrad Prem, Gretel Stadler, Helmut Sturm and Hand-Peter Zimmer who had been excluded on February 10, 1962.
  • After this he joined the painters Heimrad Prem, Helmut Sturm and Hans-Peter Zimmer in founding the group SPUR, which in 1959 entered the Situationist International.
  • While studying painting with Ernst Schumacher at the Hochschule der Künste, Berlin, he formed Gruppe SPUR with Lothar Fischer, Helmut Sturm, and Hans-Peter Zimmer.
  • It included a contribution by the American Situationist Jon Horelick, entitled "Beyond The Crisis Of Abstraction And The Abstract Break With That Crisis: The SI" and a Draft Manifesto of Antinational Situationist, signed by Jørgen Nash, Heimrad Prem, and Helmut Sturm, amongst others.
  • Originally conceived as a ring road in the 1940s, the concept evolved into a pair of at-grade four lane boulevards known as Henry Sturm Boulevard (east–west) and Dryden Boulevard (north–south), for which land was gradually purchased through the 1950s and into the early 1960s.
  • In mathematical physics, Liouville made two fundamental contributions: the Sturm–Liouville theory, which was joint work with Charles François Sturm, and is now a standard procedure to solve certain types of integral equations by developing into eigenfunctions, and the fact (also known as Liouville's theorem) that time evolution is measure preserving for a Hamiltonian system.
  • Frank's play, Sturm im Wasserglas, was filmed in Great Britain, in 1937, as Storm in a Teacup, and posthumously made into a movie directed by Josef von Báky in 1960.
  • Initially fly-posted in Hannover, then subject to a spoiler in Herwarth Walden's der Sturm magazine asking 'Who really is Anna Blume?' answered with 'Twited brain! He painted the image of the time and didn't know it.
  • He generalised the results of Kummer on diagonalising symmetric matrices, using determinants and Sturm functions.
  • Upon the data obtained from his systematical astronomical surveys, in 1755 engineers Schwebel and Sturm made a regional map titled Mappa Geographico dos Rios.
  • The dramatic fluidity that was a goal of the empfindsamer Stil has encouraged historians to view mid-century Empfindsamkeit as a slightly earlier parallel to the showier and stormier phase called Sturm und Drang (storm and stress) that emerged around 1770.


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