Synonymer & Anagram | Engelska ordet SWARA

Exempel på hur man kan använda SWARA i en mening

• The raga, based on a varied repertoire of swara (notes including microtones), forms the fabric of a deeply intricate melodic structure, while the tala measures the time cycle.
• Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes (jeeva swaras), etc.
• The swara differs from the shruti: the shruti is the smallest gradation of pitch available, while a swara is the selected pitches from which the musician constructs the scales, melodies and ragas.
• Compensation marriage, known variously as vani, swara and sang chatti, is the traditional practice of forced marriage of women and young girls to resolve tribal feuds in parts of Pakistan and Afghanistan.
• Previously Gulzar had like the use of pure notes (shuddha swara) in "Raina Beete Jai" from Amar Prem (1972) by Burman, a treatment which was used in the film's title music.
• Dattilam discusses scales (swara), the base note (sthana), and defines a tonal framework called grama in terms of 22 micro-tonal intervals (sruti) comprising one octave.
• Sapta svara, also called sapta swara or sapta sur, refers to the seven distinct notes of the octave or the seven successive svaras of a saptak.
• Kalpana Swara: using swaras (or solfeggio notes) the performer improvises note combinations on the spot, varying the speed of phrases, and must do so with strict adherence to a beat cycle.
• In Multani, the aroha is 'N S g M P N S' (lowercase notes are the lower forms, while uppercase notes are the higher forms, and an apostrophe preceding or following a note denotes the lower or higher octave – see swara).
• Swara tarangini – An orchestral composition in which he employed numerous sounds that gradually crystallise into musical swaras suggesting the origin of sound and music.
• Modal shift of the Tonic note to higher notes of a rāgam, while retaining the note's positions (swara sthānas – sthāna means position/ pitch), results in different rāgams.
• The nishada, an important jeeva swara, can be rendered with varying degrees of gamaka, depending on which daivatha is used.
• Since no other swara pair in rules of melakarta rāgams have a 3 note gap, Graha bhedam yields only invalid scales within those rules.
• Praveshika (second year): Matric Music Knowledge of Alankars of more than four swaras including Vikrit Swara.
• A Carnatic raga has several components - primordial sound (nāda), tonal system (swara), intervals (shruti), scale, ornaments (gamaka) and important tones (vadi and samvadi).

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