Anagram & Information om | Engelska ordet THAAT

Exempel på hur man kan använda THAAT i en mening

• Indian classical theory postulates seventy-two seven-tone scale types, collectively called melakarta or thaat, whereas others postulate twelve or ten (depending on the theorist) seven-tone scale types.
• The term thaat is also used to refer to the frets of stringed instruments like the sitar and the veena.
• Raga Dhanashree appears in the Ragmala as a ragini of Malkauns and currently is a member of the Kafi thaat.
• The Hindustani music ragam Sahana is an upper-tetrachord-dominant Kanada-anga raga, from the Kafi thaat, also allied with Bageshree and Bhimpalasi.
• The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi thaat, but the Hindustani Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi.
• The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc.
• Unlike most other members of the Sarang family of ragas, Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi.
• Ragas from Bhairav Thaat, Poorvi Thaat, Marwa Thaat, Bhairavi Thaat and Todi Thaat have Komal Rishabha, rest of the thaats have Shuddha Rishabha.
• Ragas from Kafi Thaat, Asavari Thaat, Todi Thaat and Bhairavi Thaat have Komal Gandhara, rest of the thaats have Shuddha Gandhara.
• Ragas from Khamaj Thaat, Kafi Thaat, Asavari Thaat and Bhairavi Thaat have Komal Nishada, rest of the thaats have Shuddha Nishada.
• The types of raga Gara can be separated by one, the bright Gara (which gravitates more towards Khamaj thaat and maybe a little into the Bilaval Thaat) from the more somber Gara which is the other type, which gets more into Kafi thaat and even Piloo-ang.

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