Anagram & Information om | Engelska ordet TIRESIAS

Exempel på hur man kan använda TIRESIAS i en mening

• Eighteen allusions to mythic Tiresias, noted by Luc Brisson, fall into three groups: the first recounts Tiresias' sex-change episode and later his encounter with Zeus and Hera; the second group recounts his blinding by Athena; the third, all but lost, seems to have recounted the misadventures of Tiresias.
• He had many progeny by different women including Clytius by Alphesiboea or Arsinoe, daughter of Phegeus; Amphoterus and Acarnan by Callirhoe, daughter of Achelous and lastly Amphilochus and Tisiphone by Manto, daughter of Tiresias.
• With his wife Manto, daughter of the seer Tiresias, he was the father of Mopsus, (Apollodorus; Mythological Library; E; VI; 3 to 5 / VI; 19) a renowned seer.
• Tom Driberg (1905–1976), pseudonymously Tiresias, British journalist, politician, and crossword compiler.
• In the epic, Odysseus is instructed by Tiresias to take an oar from his ship and to walk inland until he finds a "land that knows nothing of the sea", where the oar would be mistaken for a winnowing shovel.
• Astonished, Amphitryon sent for the seer Tiresias, who prophesied an unusual future for the boy, saying he would vanquish numerous monsters.
• He sang several more roles with NYCO through 1967, including Collatinus in The Rape of Lucretia, the Commandant in Don Giovanni, the Major-Domo in Capriccio, Osmin in Mozart's Abduction from the Seraglio, and Tiresias in Oedipus rex among others.
• His major roles on stage include Newman Noggs in Nicholas Nickleby; Charlie Marsden in Strange Interlude; Gaev in The Cherry Orchard; the Cardinal in The Duchess of Malfi; Alceste in The Misanthrope; Frank Ford in The Merry Wives of Windsor; Malvolio in Twelfth Night, King Cymbeline in Cymbeline; Dr Dorn in The Seagull; Sir Anthony Blunt in Single Spies; the title role in 'Cyrano de Bergerac'; Krapp in Samuel Beckett's Krapp's Last Tape; Donner in Tom Stoppard's Artist Descending a Staircase; and Tiresias in Sophocles' Antigone.
• Arriving at the Underworld, Tiresias (Christopher Lee) torments Odysseus, recognizing his courage and wit, but criticizing his ego and foolishness.
• The final idyll of the epic twelve to be published, in Tiresias, and Other Poems in 1885, was entitled by Tennyson "Balin and Balan".
• After a visit from the oracle Tiresias warning of the consequences, Creon eventually repents, but by then she has killed herself and is followed in death by Creon's own son and wife, both of whom commit suicide.
• They visit Tiresias, now a prophet, who declares that to atone for his sins, he must perform six labors for King Eurystheus and the now Queen Megara.
• According to the scholar Stephen Durnford, this migration of Greek elements from the Aegean through the Lukka Lands and into Cilicia was recorded in Greek mythology in the form of the story of the movements of Mopsos's grandparent Tiresias (whom he identified with Attarsiya) and of his followers from Thebes to Cilicia.
• Austin Clarke, Collected Poems, including "The Lost Heifer", "The Young Woman of Beare", "The Planter's Daughter", "Celibacy", "Martha Blake", "The Straying Student", "Penal Law", "St Christopher", "Early Unfinished Sketch", "Martha Blake at Fifty-One", and "Tiresias" (died this year).
• Just as Laius and Jocasta, at the High Priest's request, are to name the child, the old and blind prophet Tiresias interrupts the festivities.
• Idylls of the King, complete edition of the Idylls, with final titles (see also Idylls of the King 1859, The Holy Grail 1869, Idylls of the King 1870, "The Last Tournament" 1871, Gareth and Lynette 1872, "Balin and Balan" in Tiresias 1885).
• Alfred Lord Tennyson, Tiresias, and Other Poems, including "Balin and Balan", one of the Idylls of the King 1870; "The Last Tournament" 1871; Gareth and Lynette 1872, Idylls of the King 1889.
• Naïs's father, the blind soothsayer, Tiresias warns Télémus and Asterion to be wary of the sea god, and they interpret it to mean they should sacrifice their rival.
• A 1951 production of Antigone at the Griez showed a new prologue written by Brecht in which Antigone, Tiresias, and Creon appear onstage and Tiresias gives an explication of the play.
• Matthiessen and Cleanth Brooks, who believed that, despite its apparent disjointedness, the poem contains an underlying unity of formfor Leavis represented by the figure of Tiresias, and for Matthiessen and Brooks by the Grail mythology.

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