Definition, Betydelse, Synonymer & Anagram | Engelska ordet TONIC


TONIC

Definition av TONIC

  1. tonic
  2. uppfriskande
  3. (musik) tonika, grundton
  4. (medicin) tonikum, stärkande medel
  5. (musik) tonisk, ton-
  6. (medicin) tonisk, spänd

3

2

Antal bokstäver

5

Är palindrom

Nej

8
IC
NI
NIC
ON
ONI
TO
TON

21

288

489

105
CI
CIN
CIO
CIT
CN


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Exempel på hur man kan använda TONIC i en mening

  • Its name originates from the gin and tonic popularised by the Royal Indian Armed Forces during the British Raj in colonial India; "Bombay" refers to the Indian city and "Sapphire" refers to the violet-blue Star of Bombay which was mined from British Ceylon (Sri Lanka), and is now on display at the Smithsonian Institution.
  • Most commonly, a cocktail is a combination of one or more spirits mixed with other ingredients, such as juices, flavored syrups, tonic water, shrubs, and bitters.
  • A fugue usually has three main sections: an exposition, a development, and a final entry that contains the return of the subject in the fugue's tonic key.
  • A gin and tonic is a highball cocktail made with gin and tonic water poured over a large amount of ice.
  • Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords.
  • More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced.
  • In English the term Do is used interchangeably with C only in the context of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key.
  • The genus name is a tribute to Gentius, an Illyrian king who may have discovered tonic properties in gentians.
  • As a diatonic function, the leading tone is the seventh scale degree of any diatonic scale when the distance between it and the tonic is a single semitone.
  • A particular key features a tonic note and its corresponding chords, also called a tonic or tonic chord, which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key.
  • "Borrowing" of this type appears in music from the Renaissance music era and the Baroque music era (1600–1750)—such as with the use of the Picardy third, in which a piece in a minor key has a final or intermediate cadence in the tonic major chord.
  • The tonic sol-fa method popularized the seven syllables commonly used in English-speaking countries: do (spelled doh in tonic sol-fa), re, mi, fa, so(l), la, and ti (or si) (see below).
  • Originally used as a prophylactic against malaria, modern tonic water typically has a significantly lower quinine content and is often more sweetened than the original medicinal form.
  • The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material.
  • Beethoven does not seek variety by using key-changes, staying with Diabelli's C major for most of the set: among the first twenty-eight variations, he uses the tonic minor only once, in Variation 9.
  • The band wore mod-style "1960s period rude boy outfits (pork pie hats, tonic and mohair suits and loafers)".
  • Tanpura, also called as Tambora, an instrument used in Indian classical music for continuous production of consonating reference notes (tonic).
  • A "spirit and mixer" is any combination of one alcoholic spirit with one non-alcoholic component, such as gin and tonic, whereas a cocktail generally comprises three or more liquid ingredients, at least one of which is alcoholic.
  • The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof.
  • The opening movement, colossal in its conception (much like the symphony itself), roughly takes the shape of sonata form, insofar as there is an alternating presentation of two theme groups; however, the themes are varied and developed with each presentation, and the typical harmonic logic of the sonata form movement—particularly the tonic statement of second theme group material in the recapitulation—is changed.


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