Information om | Engelska ordet TROCHEE

Exempel på hur man kan använda TROCHEE i en mening

• But they may also be described using terms borrowed from the metrical feet of poetry: iamb (weak–strong), anapest (weak–weak–strong), trochee (strong–weak), dactyl (strong–weak–weak), and amphibrach (weak–strong–weak), which may overlap to explain ambiguity.
• De mensurabili musica describes six rhythmic modes, corresponding to poetic feet: long–short (trochee), short–long (iamb), long–short–short (dactyl), short–short–long (anapest), long–long (spondee), and short–short (pyrrhic).
• In the prosody of English and other modern European languages, "choriamb" is sometimes used to describe four-syllable sequence of the pattern stressed-unstressed-unstressed-stressed (again, a trochee followed by an iamb): for example, "over the hill", "under the bridge", and "what a mistake!".
• In iambic and trochaic metres a tribrach can replace either an iamb (u –) or a trochee (– u) at any place except immediately before the end of the line or before the central dieresis.
• "x x" is known as the Aeolic base, which can be a spondeus "– –", a trochee "– u", or an iamb "u –".
• This showed that the beat fell into prescribed patterns, similar to iambus, dactyl, trochee, and anapaest.
• Rhythm is a strong element of the work, which in its Romanian and German typescript versions was called Death Tango; the poem is structured to give a strong impression of dactyl and trochee rhythms.
• An adonic (Latin: adoneus) is a unit of Aeolic verse, a five-syllable metrical foot consisting of a dactyl followed by a trochee.
• He then described the common metre (iamb, trochee, amphibrach, or mixed), melody (which is difficult to record), and rhythm (not an essential feature of Lithuanian songs).
• This comment about the absence of anapest and trochee has been interpreted to mean that the music was not based on the usual “walking” meters, since the chorus sings the stasimon while remaining in the orchestra.
• The shots in these rhythmic units mimic in their length pattern some of the known metrical feet of poetry such as iamb (short-long), anapest (short-short-long) and trochee (long-short).
• The paeon (particularly the first and fourth) was favored by ancient prose writers since, unlike the dactyl, spondee, trochee, and iamb, it was not associated with a particular poetic meter, such as the hexameter, tetrameter, or trimeter, and so produced a sound not overly poetical or familiar.
• The poem is a sapphic ode with an unusual meter of the pattern trochee – dactyl – trochee – trochee – trochee.
• The six rhythmic modes set out by the treatise are all in triple time and are made from combinations of the note values longa (long) and brevis (short) and are given the names trochee, iamb, dactyl, anapest, spondaic and tribrach, although trochee, dactyl and spondaic were much more common.
• His Voicing Shakespeare ebook addresses the linguistic challenges of Shakespearean language while explaining such terms as iambic pentameter, alexandrine, tetrameter, enjambment, trochee, spondee, pyrrhic and epic caesura.
• For example, the cretic + trochee and its variants make up 35% of the clausulae in Seneca's letters, but only 11% of the clausulae in Livy's history.

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