Anagram & Information om | Engelska ordet TROMPE

Exempel på hur du använder TROMPE i en mening

• The phrase, which can also be spelled without the hyphen and ligature in English as trompe l'oeil, originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800.
• The interior, decorated by Adrien Masreliez, uses trompe l'oeil, papier-mâché, and stucco to imitate more expensive materials like marble and gold.
• The interior has a three-story lobby adorned with trompe l'oeil columns, a broad center staircase inspired by The Breakers grand staircase, with alabaster balusters, and brass handrails terminated with originally gaslit lamp stands.
• They have a long, sensitive nasal trompe provided with hypertrophic vibrissae and chemo-/mechanosensitive Eimer's organs helping prey detection, and large webbed feet with fringed hairs to increase the swimming surface, and can close off their nostrils and ears to stop water penetration.
• Their impact is apparent in Stout's use of trompe l'oeil painting, found-object tableaus, and handmade mechanical and totemic forms.
• Upon his return to the Netherlands Pierson moved his household to Gouda, South Holland where, inspired by the success of Anthonie Leemans, he made a profitable living making similar trompe l'oeil paintings of hunting paraphernalia, birdcages, and weaponry.
• The celling of the dining room is divided into geometric panels by a network of mahogany mouldings, and these panels are alternately filled with Lincrusta-Walton linoleum and with trompe I'oeil frescoes painted by John Gannon of Manchester, New Hampshire.
• Galle is known to have collaborated with Cornelis Schut on a garland painting referred to as A trompe l'oeil relief of the Pietà in a stone carved tondo, surrounded by festoons of flowers and thistles (Sold at Christie's on 11 May 2005 in Amsterdam lot 29).
• Using manhole cover rubbings and photos for reference, Mastrangelo developed a technique for creating trompe l’oeil relief works called "Grate Works" The realistic street and sidewalk scenes using manhole covers or water covers have been created in many media: collagraph prints on handmade paper, fiber art, foam relief works, assemblages and installations.
• Jenni Sorkin describes: “Deftly avoiding traditional forms, Mimlitsch-Gray embraces formless objects without prescriptive usages… By and large, the works in this series stage the sensuality of fullness: they read as almost pillowy, a perfect trompe l'oeil in which the illusion of lightness is offset by metalwork’s material thud.
• Taddei assisted Melcarth with the painting of the trompe l’oeil mural at the Pierre Hotel and, in 1972, traveled to Italy where he lived and worked alongside Melcarth.

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